GUGLIELMO FAIJA (ITALIAN, 1803-1873)
Prospective purchasers are advised that several co… Read more
GUGLIELMO FAIJA (ITALIAN, 1803-1873)

Details
GUGLIELMO FAIJA (ITALIAN, 1803-1873)
Alexandra, Princess of Wales (1844-1925), in blue gown with heavily braided borders over a white chemise, a black cap on her fair hair, seated on a green upholstered settee with her right hand raised to her cheek
signed and dated on the backing card 'Princess / alexandra / Windsor 9b<\sup>e<\sup>r<\sup> 1862 / by G. Faija / Ps<\sup>s<\sup> of Wales'
on ivory
oval, 2¼ in. (59 mm.) high, gilt-metal mount
Provenance
Sotheby's, London, 28 February 1991, lot 367.
Sotheby's, London, 11 October 1994, lot 143.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Katharine Cooke
Katharine Cooke

Lot Essay

Alexandra, Princess of Wales (1844-1925) was the second child of Christian IX of Denmark (1818-1906) and Louise of Hesse-Kassel (1817-1898). She married, in 1863, Albert Edward, Prince of Wales (1841-1910), becoming Princess of Wales until 1901, the longest anyone has held this title. On the death of Queen Victoria, she became Queen Alexandra, Empress Consort of Edward VII. After the death of her eldest son, Prince Albert Victor, Duke of Clarence and Avondale (1864-1892), her second son, George, Duke of York (1865-1936) succeeded his father in 1910, as King George V.
Guglielmo Faija (1803-1873) was born in Sicily and trained in Naples and in Paris, where he exhibited at the Salon (1831-37), before coming to London to exhibit at the Royal Academy (1838-48). His first royal commission came in 1845 and was to mark the beginning of two decades of patronage by the royal family, who instructed Faija to produce copies of portraits to be distributed as gifts. Sixty-eight works by Faija remain in the Royal Collection today. He was also the first miniaturist to conserve the collection of portrait miniatures at Windsor Castle, starting a programme of conservation in 1860.

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