Details
JEAN PETITOT THE YOUNGER (FRENCH, 1653-1702)
A self-portrait of the artist, in loose, gold brocade jacket with blue trim, lace jabot, wearing a red cap with black fur trim over his long curling wig
signed, dated and inscribed on the counter-enamel, 'Jean petitot / fait par luy mesme / L'an 1676. decembre agé / de 23 ans'
enamel
oval, 1.1/8 in. (30 mm.) high, gold frame with glass aperture on reverse revealing signature and inscription
Provenance
Josef von Flesch (1871-1928) Collection, Vienna, by 1924; (+) C. J. Wawra, Vienna, 12-13 May 1930, lot 62 (as by Jean Petitot the Elder).
With D. S. Lavender (Antiques) Ltd., in 2000.
Literature
H. Clouzot, La Miniature sur émail en France, Paris, n.d. [1928], p. 59.
L. R. Schidlof, The Miniature in Europe, Graz, 1964, II, p. 632.
Exhibited
Vienna, Albertina, Internationale Miniaturen-Austellung in der Albertina, Wien, 1924, no. 676 (lent by Josef von Flesch).

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Katharine Cooke
Katharine Cooke

Lot Essay

Jean Petitot the Younger (1653-1702) was the eldest son of the enamellist Jean Petitot (1607-1691) and his wife, Marguerite Cuper. Petitot learnt his trade from his father, and early in his career settled in London, where he remained until 1682, painting portraits of Charles II. He returned to Paris again until 1695, when he came back to London, remaining there until his death.
There is a slightly later self-portrait of the artist, dating from 1679, later set into the lid of a crystal comfit box, in the collection of the Victoria & Albert Museum (inv. no. P.52-1941) and another formerly in the Pierpont Morgan collection (see G. C. Williamson, Catalogue of the Collection of Miniatures, the Property of J. Pierpont Morgan, London, 1906, III, p. 69, no. 435, illustrated pl. CXLI, no. 2), sold Christie's, London, 24 June 1935, lot 214 (28 gns. to S. J. Phillips). A further self-portrait of 1685, from the Dartrey Collection, is mentioned by Clouzot (supra).

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