LEROY (FL. C. 1775) AFTER JEAN-BAPTISTE GREUZE (FRENCH, 1725-1825)
Prospective purchasers are advised that several co… 顯示更多
LEROY (FL. C. 1775) AFTER JEAN-BAPTISTE GREUZE (FRENCH, 1725-1825)

細節
LEROY (FL. C. 1775) AFTER JEAN-BAPTISTE GREUZE (FRENCH, 1725-1825)
An interior village scene; a large family watch on as a father pays his daughter's dowry to her fiancé, whilst a notary, seated at the table, arranges the marriage contract
bearing signature 'LeRoy. 1775' (lower right)
on ivory
rectangular, 3 in. x 1.7/8 in. (77 mm. x 59 mm.), gold frame with blue enamel border, the gold reverse struck with maker's mark of Adrien-Jean-Maximilien Vachette (fl. 1779-1839) and an early 19th century French gold mark
來源
With D. S. Lavender (Antiques) Ltd., in 1999.
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

拍品專文

The present miniature derives from a large-scale painting by Greuze entitled L'accordée de village, now in the Louvre, Paris (inv. no. 5037). Greuze exhibited it alongside five other paintings in the Salon of 1761, to great critical acclaim. Commentator Diderot commented that the crowds around it were so large that he could not approach it without difficulty. As an early 'moral painting', it was praised for its strong narrative and excellent rendering of ordinary people in an everday situation. Reproduced widely, it was also the inspiration for a literary work of the same name by Jean-Louis Aubert (1731-1814).

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