[BOLLIOUD DE MERMET, Louis (1709-1793)]. De la bibliomanie. The Hague: 1761. [Bound with the same author's:] Essai sur la Lecture. Lyon: Pierre Duplain, 1765. 2 works in one volume, 8° (183 x 115mm). Half-title to second work, hand-coloured woodcut devices on titles, woodcut head-pieces and capitals. (Title to first work lightly soiled and with small repair, second work without final blank and with marginal repair to half-title.) Red morocco by Balmes, 1956, gilt supralibros, gilt spine-lettering, turn-ins and edges.
[BOLLIOUD DE MERMET, Louis (1709-1793)]. De la bibliomanie. The Hague: 1761. [Bound with the same author's:] Essai sur la Lecture. Lyon: Pierre Duplain, 1765. 2 works in one volume, 8° (183 x 115mm). Half-title to second work, hand-coloured woodcut devices on titles, woodcut head-pieces and capitals. (Title to first work lightly soiled and with small repair, second work without final blank and with marginal repair to half-title.) Red morocco by Balmes, 1956, gilt supralibros, gilt spine-lettering, turn-ins and edges.

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[BOLLIOUD DE MERMET, Louis (1709-1793)]. De la bibliomanie. The Hague: 1761. [Bound with the same author's:] Essai sur la Lecture. Lyon: Pierre Duplain, 1765. 2 works in one volume, 8° (183 x 115mm). Half-title to second work, hand-coloured woodcut devices on titles, woodcut head-pieces and capitals. (Title to first work lightly soiled and with small repair, second work without final blank and with marginal repair to half-title.) Red morocco by Balmes, 1956, gilt supralibros, gilt spine-lettering, turn-ins and edges.

FIRST EDITION OF BOTH WORKS. Although the term 'Bibliomania' was in use in England at least as early as 1734 (see OED), Bollioud de Mermet's work is a remarkably early formal discussion of compulsive book buying. 'En effet, avoir des collections de livres avec l'incapacité ou le défaut de volonté de lire & d'étudier, c'est un étrange manie, une aveugle ostentation ... Rassembler tous ceux qu'on estime par leur rareté, par la beauté singuliere des éditions, par la magnificence des reliures, c'est un excès de luxe, un amour déréglé du merveilleux, une prodigalité ruineuse'. Brunet VI ('Table'), 1795.

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