Germaine Richier (1904-1959)
A DIALOGUE THROUGH ART: WORKS FROM THE JAN KRUGIER COLLECTION
Germaine Richier (1904-1959)

L'Echiquier, petit (Le Roi, La Reine, Le Cavalier, Le Fou, La Tour)

細節
Germaine Richier (1904-1959)
L'Echiquier, petit (Le Roi, La Reine, Le Cavalier, Le Fou, La Tour)
signed, numbered and stamped with the foundry mark 'G. Richier 8/8 L. Thinot, fondeur Paris ' (bottom left)
bronze with dark patina
18½ x 45 x 32 in. (46.9 x 114.3 x 81.2 cm.)
executed in 1955, this work is number this work is number 8/8 from an edition of 12: 1/8 to 8/8, HC1, HC2, HC3 and EA.
來源
Estate of the artist.
Jan Krugier, acquired from the above.
出版
G. Selz, "Germaine Richier, une des rares femmes sculpteurs" in Revue Elle, Paris, 1 October 1956.
G. Limbour, "Le pouce de Germaine Richier" in France Observateur, Paris, 1 November 1956.
M. Conil-Lacoste, "Germaine Richier ou la confusion des règnes" in Cahiers du sud, Marseille, February 1957, pp. 307-311.
Y. Taillandier, "Germaine Richier" in Connaissance des arts, no. 77, July 1958, p. 24 (another version illustrated in color).
G. Limbour, "Personnages imaginaires" in Lettres nouvelles, Paris, 17 June 1959, pp. 31-32.
J. Cassou, "Richier," Sculpteurs Modernes, Paris, 1961.
H. Debrunner, "Bedrohung und Verwandlung des Schönen: Germaine Richier im Kunsthaus" in Zürichsee Zeitung, Zürich, 22 June 1963, no. 144.
H. Dannecker, "Die Visionen der Germaine Richier: zu der grossen Ubersicht über ihr Werk in Zürich" in Kieler Nachrichten, Zürich, 5 July 1963.
H. Bellet, "L'Echiquier, grand" in Germaine Richier, rétrospective, exh. cat., Paris, 1996, p. 187.
F. Guiter, "Biographie" in Germaine Richier, rétrospective, exh. cat., Paris, 1996, pp. 108-109.
F. Guiter, "L'Echiquier, petit (Chessboard, small version), 1955", Richier, exh. cat., Venice, Peggy Guggenheim Collection, October 2006-February 2007, p. 102-103.
F. Guiter, "Biography", Richier, exh. cat., Venice, Peggy Guggenheim Collection, October 2006-February 2007, p. 131-135.
展覽
Paris, Musée National d'Art Moderne, Germaine Richier, October-December 1956, no. 75 (another example exhibited).
Boston, Boston University School of Fine & Applied Arts, Sculpture by Germaine Richier, January-February 1959, no. 7 (another example exhibited).
Château d'Antibes, Musée Grimaldi, Germaine Richier, July-September 1959, no. 35 (another example exhibited).
Paris, Galerie Creuzevault, Germaine Richier, July-September 1959, no. 22 (another example exhibited).
Paris, Musée des Arts Décoratifs, Antongonismes 2 L'Objet, April 1962, no. 421 (another example exhibited).
Kunsthaus Zürich, Germaine Richier, June-July 1963, no. 116 (another example exhibited).
Saint-Paul-de-Vence, Fondation Maeght, Germaine Richier: Rétropective, April-June 1996, pp. 154-155, no. 82 (another example exhibited and illustrated in color).
Berlin, Akademie der Künste, Germaine Richier, September-November 1997, pp. 138-139, no. 83 (another example exhibited and illustrated).
Institut Valencià de Arte Moderno, El Fuego Baja las Cenizas: de Picasso a Basquiat, May-August 2005, pp. 254-255 (another example exhibited and illustrated in color).
Venice, Peggy Guggenheim Collection, The Solomon R. Guggenheim Foundation, Germaine Richier, October 2006-February 2007, pp. 102-103 (another example exhibited and illustrated in color).
New York, Jan Krugier Gallery in collaboration with Richard L. Feigen & Co., Drawing in Space, November 2007-March 2008, no. 38 (illustrated in color).
拍場告示
Please note that this work is accompanied by a signed photocopy of the certificate of authenticity, signed by Françoise Guiter.

拍品專文

Françoise Guiter will include this work in the upcoming Germaine Richier Catalogue Raisonné in preparation and we are grateful for her assistance.
Please note this work is accompanied by a signed photocopy of the certificate of authenticity, signed by Françoise Guiter.

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