A SET OF SIXTEEN GEORGE III GREY-PAINTED ARMCHAIRS
A SET OF SIXTEEN GEORGE III GREY-PAINTED ARMCHAIRS
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THE PROPERTY OF TRUSTEES OF THE LATE 7TH MARQUESS TOWNSHEND, RAYNHAM HALL, NORFOLK (LOTS 27-35)
A SET OF SIXTEEN GEORGE III GREY-PAINTED ARMCHAIRS

CIRCA 1790

細節
A SET OF SIXTEEN GEORGE III GREY-PAINTED ARMCHAIRS
CIRCA 1790
Each chair with a beaded frame, the scrolled padded back and seat covered in striped silk, nine in a pink floral pattern, four in blue stripes and three in yellow, on rosette-headed turned fluted tapering legs, ten with handwritten label 'Salloon / Capt Townshend R.N. / Gilt Arm Chair / with velvet cushion' and numbered 'one' to 'ten'; and six with handwritten label 'White Drawing Room / Capt Townshend R.N.M.P. / White and Gold Arm Chair / with Sattin Cushion' and numbered 'one' to 'six', and with various faint pencil inscriptions, originally parcel gilt with visible traces of gilding, with batten carrying holes, six retaining original webbing and scrim, some stamped 'M'
34 in. (86 cm.) high; 22½ in. (58 cm.) wide; 22 in. (56 cm.) deep
來源
Almost certainly acquired by George, 1st Marquess Townshend (d.1807), Raynham Hall Norfolk and thence by descent to his son
George, 2nd Marquess Townshend (d.1811), recorded in an inventory of 1811, and thence by descent to
Catptain John Townshend R.N., M.P. between 1847 - 55 (as labelled), and later 4th Marquess Townshend (after 1856).
Thence by descent at Raynham Hall, Norfolk.
出版
C. Latham, In English Homes, vol. III, London, 1909, pp. 106, 108. C. Hussey, 'Raynham Hall - I, Norfolk. The Seat of the Marquess Townshend', Country Life, 14 November 1925, p. 747, fig. 11.
C. Hussey, 'Raynham Hall - II, Norfolk. The Seat of the Marquess Townshend', Country Life, 21 November 1925, p. 784, fig. 5.

榮譽呈獻

Celia Harvey
Celia Harvey

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拍品專文

This suite of seat-furniture was almost certainly commissioned by
George, 1st Marquess Townshend (d. 1807) for Raynham Hall, Norfolk. It is recorded in an 1811 inventory taken after the death of his son, also George, 2nd Marquess, thus:
In the 'Drawing Room', 'Two Sofas in White & Gold frames stuffed &
Covered with Crimson Satin welted & Gimp'd square flat bolsters on
Castors & pink trellis Cotton thro' over Covers lined'
and 'Eight
Elbow Chairs to correspond with thro' over Covers to match'
,
and in the 'Saloon East', 'Two Sofas stuffed in Crimson satin welted & Gimp'd white & Gold framed on Castors with Pink trellis Cotton thro' over Covers lined - 6 ft. 6 long' and 'Eight Elbow Chairs stuffed & Covered to correspond with thro' over Covers' (An Inventory of
Furniture, Plate, Linen, China, Glass, Wines, Beer, & other Effects the Property of the Most Noble Marquis Townshend at Rainham Hall in the
Country of Norfolk taken August 1811
, PRO Ms. C107/39, pp. 76, 78).
George, 1st Marquess Townshend (d. 1807) had a glittering military
career serving under General James Wolfe at the siege of Quebec in
1759, was appointed Lord Lieutenant of Ireland from 1767-1772, and had close connections to the royal family; his second wife, Anne
Montgomery, was Mistress of the Robes to Caroline, Princess of Wales, from 1795 to 1820.
The suite was later inherited by Captain John Townshend (d.1863), a
Royal Naval Rear-Admiral, and M.P. for Tamworth, Staffordshire (from
1847 to 1855). It was during this period that the handwritten labels
were fixed to the chairs, describing them as 'Gilt' and 'White and Gold with Sattin Cushion'; ten chairs were in the 'Salloon' and six in the
'White Drawing Room'. John Townshend succeeded as 4th Marquess in 1856.
In 1909, Country Life photographed the suite in situ at Raynham Hall, in the 'Red Drawing Room' and 'Dining-room', republishing some of the images in two articles on the mansion in November 1925 (see Literature).

THE DESIGN

The suite is conceived in the 1790s George III 'French/antique' or 'Grecian' style, promoted by the francophile advisers in the retinue of George, Prince Regent, later George IV, who employed the influential architect, Henry Holland (d.1806), and Paris-trained chair-maker, François Hervé (d.1796) in the remodelling of his residence at
Carlton House Terrace. The design relates to chairs with rectangular
scrolled padded backs, down-swept arms and columnar fluted supports at Southill, Bedfordshire, perhaps Holland's most celebrated commission,
for Samuel Whitbread II between 1796 and 1800, and at no. 44 Berkeley
Square, London, remodeled by Holland for Lord Clermont in circa
1790 (D. Stroud, Henry Holland, His Life and Architecture, London, 1966, figs. 97, 99, 126).

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