A GEORGE III HAREWOOD, TULIPWOOD AND MARQUETRY TAMBOUR WRITING-TABLE
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A GEORGE III HAREWOOD, TULIPWOOD AND MARQUETRY TAMBOUR WRITING-TABLE

ATTRIBUTED TO MAYHEW & INCE, CIRCA 1770-80

細節
A GEORGE III HAREWOOD, TULIPWOOD AND MARQUETRY TAMBOUR WRITING-TABLE
ATTRIBUTED TO MAYHEW & INCE, CIRCA 1770-80
The green-stained tambour top enclosing a fitted interior with twin leather-lined panels lifting to reveal a blue velvet-lined well, centred by a leather-lined rachetted writing-slide, surmounted by eight drawers with ivory handles and two pigeon holes centred by a door with an ivory-inlaid figure of Hope with an anchor, the sides inlaid with trailing husks above a flower-filled urn, the frieze inlaid on all sides with simulated fluting and anthemions, centred by a husk, on square tapering legs with foliate-headed feet, later back feet previously but not originally with stretcher
36 in. (91.5 cm.) high; 32¼ in. (82 cm.) wide; 28¼ in. (72 cm.) deep
來源
With Norman Adams Ltd., 1964.
Sotheby's, London, Classic English Furniture, The Norman Adams Legacy 1923-2009, 21 April 2009, lot 171.
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

榮譽呈獻

Celia Harvey
Celia Harvey

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拍品專文

Embellished in the 1770s French 'antique' fashion, the writing-table is closely related to one at Syon House, Middlesex, which was almost certainly commissioned from the Golden Square firm of John Mayhew and William Ince for Queen Charlotte's Lady of the Bedchamber, Elizabeth, Duchess of Northumberland (d. 1776) (R. Edwards, The Shorter Dictionary of English Furniture, London, 1964, p. 563, fig. 29). The present example can also be attributed to Mayhew and Ince, as related tambours appear on the façades of pier-commode-tables that were executed to their design (the commodes, now in the Metropolitan Museum of Art, New York, are discussed in L. Wood,Catalogue of Commodes, London, 1994, p. 215, figs. 205-206). A related ormolu-mounted marquetry tambour writing-table, originally the property of Lady Sybil Grant, daughter of the 5th Earl of Rosebery, was recently with Mallett & Sons and illustrated in their catalogue The Age of Matthew Boulton: Masterpieces of Neo-Classicism , London, 2000, pp. 13-14. Another desk of this pattern, almost identical to that at Syon, was sold anonymously, in these Rooms, 19 April 1990, lot 76 and another is at Temple Newsam House, Leeds (C. Gilbert, Furniture at Temple Newsam House and Lotherton Hall, Leeds, 1978, no. 430).

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