A PAIR OF REGENCY PARCEL-GILT AND WHITE-PAINTED KLISMOS CHAIRS
A PAIR OF REGENCY PARCEL-GILT AND WHITE-PAINTED KLISMOS CHAIRS

ONE STAMPED T. BIRD, EARLY 19TH CENTURY

細節
A PAIR OF REGENCY PARCEL-GILT AND WHITE-PAINTED KLISMOS CHAIRS
ONE STAMPED T. BIRD, EARLY 19TH CENTURY
Each with curved tablet toprail and squab cushion covered in tan suede, with a caned seat and beaded apron, on sabre legs headed by tassels, one chair stamped twice 'T BIRD' and numbered in paint '3542', each stamped 'G.W.', one indistinctly inscribed in ink, the feet tipped, redecorated
32 in. (81 cm.) high; 22 in. (56 cm.) wide; 23¼ in. (59 cm.) deep
來源
Anonymous sale, Christie's, London, 4 July 1996, lot 386.
Anonymous sale, Christie's, London, 25 November 2004, lot 98.

榮譽呈獻

Celia Harvey
Celia Harvey

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拍品專文

This model of parlour or drawing-room chair, with golden tasseled epaulette corners, has an upholstered klismos-tablet corresponding to a chair in Rudolph Ackerman's Repository of the Arts, 1810 (pl. 12) that was described as being 'very handsome and truly comfortable... with a French cushion, and stuffed back'. The cornucopiae-scrolled legs featured on drawing-room chair patterns issued by Ackerman in 1814 (pl. 66) and probably derived from Morgan and Sanders, cabinet-makers and upholsterers of Catherine Street, Strand, whose work received praise at this time.

The stamps are likely to be those of two journeymen, rather than the chairmaker himself, which would account for the different stamps.

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