A VICTORIAN OAK, EBONY AND EBONISED PARTNERS' DESK
A VICTORIAN OAK, EBONY AND EBONISED PARTNERS' DESK
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A VICTORIAN OAK, EBONY AND EBONISED PARTNERS' DESK

LATE 19TH

细节
A VICTORIAN OAK, EBONY AND EBONISED PARTNERS' DESK
LATE 19TH
The rectangular gilt-tooled black leather-lined top with moulded edge, the frieze with Greek key, rosettes and anthemion, and with a short drawer to each long frieze and a long drawer to each side, each pedestal with opposing doors enclosing two adjustable shelves, the stiles with stiff-leaf capitals, the sides centred by leopard-mask handles, on a plinth base, the later drawer locks stamped BRAMAH & CO / 100 NEW BOND STREET / LATE J.T. NEEDS below a crown'
30¾ in. (78 cm.) high; 78 in. (198 cm.) wide; 47 in. (120 cm.) deep

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Celia Harvey
Celia Harvey

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The desk is designed in the Grecian manner and embellished with Grecian-black ornament. The ends of the plinth supported pedestals are enriched in Roman bronze palm-wrapped handles held by leopard heads such as featured on the chimerical monopodiae of the Vatican's celebrated Roman alabaster tripod tazza. The desk's frieze is enriched with a Grecian ribbon fret at the centres and ends, and above the pedestals with palm-flowered and foliated trophies such as featured on the Barbarini marble tripod and the Borghese altar. The pedestals feature paired and palm-capped pilasters framing tablets displaying palm-flowered rosettes.
The Barbarini tripod, Borghese altar and Vatican Tazza were popularised arounf 1800 by the Rome-trained architectCharles Heathcote Tatham and featured in his influential publications Etchings of Ancient Ornamental Architecture, 1799, and Etchings representing Fragments of Antique Grecian and Roman Architectural Ornament chiefly collected in Italy and drawn from the originals, 1806.

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