AN ITALIAN GOLD AND ENAMEL BROOCH
AN ITALIAN GOLD AND ENAMEL BROOCH

BY CASTELLANI, MARKED, ROME, CIRCA 1880

Details
AN ITALIAN GOLD AND ENAMEL BROOCH
BY CASTELLANI, MARKED, ROME, CIRCA 1880
inverted pear-shaped gold-mounted brooch, the cover inset with a circular micromosaic plaque in blue and white tesserae depicting the Chi-Rho symbol, in gold rope-twist frame with blue, red and white floral tesserae border, the reverse with a glazed compartment; together with a gold pin surmounted by an owl above a micromosaic plaque, the plaque bearing, in red and white tesserae, the word 'ROMA'
1 in. (26 mm.) high and 4 in. (102 mm.) long respectively

Lot Essay

The monogram of the Greek letters Chi and Rho was used as a symbol of Christ in Christian art from the fourth century. Catellani was known for incorporating ancient, medieval, and modern intaglios and cameos, as well as Egyptian scarabs and micromosaics into their pieces. The firm was the first to place micromosaics, often with Early Christian, Byzantine, and Egyptian designs, in archaeological style frames.
In early Rome a dead owl nailed to the door of a house averted all evil that it supposedly had earlier caused. To hear the hoot of an owl presaged imminent death. The deaths of Julius Caesar, Augustus, Commodus Aurelius, and Agrippa were apparently all predicted by an owl. "...yesterday, the bird of night did sit Even at noonday, upon the market place, Hooting and shrieking", Shakespeare, Julius Caesar, Act 1, Scene 3.

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