A BYZANTINE BRONZE STEELYARD WEIGHT
PROPERTY FROM A VIENNESE PRIVATE COLLECTION
A BYZANTINE BRONZE STEELYARD WEIGHT

CIRCA 5TH CENTURY A.D.

Details
A BYZANTINE BRONZE STEELYARD WEIGHT
CIRCA 5TH CENTURY A.D.
In the form of a bust of an empress, possibly Aelia Pulcheria, enveloped in a tightly wrapped cloak, one end draping over her left shoulder and down her back, her right hand emerging from beneath the u-shaped folds, held against her chest and making the gesture of speech, her fisted left hand holding a scroll or a mappa (a folded cloth), adorned with an elaborate beaded pendant necklace and an imperial diadem, her oval face tapering to a protruding rounded chin, with almond-shaped articulated eyes beneath heavy lids, her hair fashioned in a fringe of locks scalloped across her forehead, pulled back and folded up from the nape of her neck and arranged in two large tresses fastened atop her head, surmounted by a suspension loop above; filled with lead
9 in. (22.9 cm.) high; 13.4 lbs. (214.7 oz.)
Provenance
with Galerie Schönbrunn, Vienna, 1979.

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Lot Essay

During the Byzantine Empire, steelyard weights were used in the marketplace in order to create a standardization for weighing everyday commodities. The scale had three increments -- 13 lbs., 34 lbs. and 85 lbs. The commodity would be hung from a chain at one end of the steelyard pole and a weight would be positioned along the shaft and adjusted to determine the correct weight. For an example of a weight, a steelyard and a collar with chain, see no. 10 in I. Kalvrezou, Byzantine Women and Their World.

As D. Angelova informs (pp. 52-54 in Kalvrezou, op. cit.), the majority of weights preserved from this period depicted an empress bust, which "has been interpreted as an imperial guarantee of the fairness of commercial transactions." Here the empress is making the gesture of speech, which denotes leadership and holy status. This gesture is typically reserved for learned individuals, Christ, religious figures and members of the imperial family. For a similar example see no. 11, op. cit.

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