A VERY RARE BLUE AND WHITE BOWL, LIANZI WAN
A VERY RARE BLUE AND WHITE BOWL, LIANZI WAN
A VERY RARE BLUE AND WHITE BOWL, LIANZI WAN
2 More
A VERY RARE BLUE AND WHITE BOWL, LIANZI WAN

XUANDE SIX-CHARACTER MARK WITHIN DOUBLE CIRCLES AND OF THE PERIOD (1426-1435)

Details
A VERY RARE BLUE AND WHITE BOWL, LIANZI WAN
XUANDE SIX-CHARACTER MARK WITHIN DOUBLE CIRCLES AND OF THE PERIOD (1426-1435)
Of conical form, the bowl is finely potted in the shape of a lotus pod, lianzi, with deep rounded sides rising from a cylindrical foot curving slightly inwards at rim. It is delicately painted on the interior with a central medallion containing a quatrefoil motif, surrounded by a band of eight half-florettes formed of dots with leaves, further enclosed by a band of interlocking spearheads conjoined spearheads borne on a scroll of interlinked trefoil, all below a dianthus scroll with eight blooms to the cavetto, and a narrow band of zigzag line with half-florettes at rim. The exterior is painted with a border of floral scroll at rim above four Za Bao, Miscellaneous Treasures, each interspersed by a stylised floral bloom, and is further decorated with sixteen lotus petals encircling the base above a classic scroll around the foot.
6 1/4 in. (15.9 cm.) diam.
Provenance
A.D. Brankston (1909-1941)
H.R.N. Norton, London, 1953
Raymond F.A. Riesco Collection, no. 220c
Literature
A.D. Brankston, Early Ming Wares of Chingtechen, Beijing, 1938, pl. 5a
Sir Harry Garner, Oriental Blue and White, London, 1954, Pl. 30C
London Borough of Croydon, Riesco Collection of Chinese Ceramics Handlist, Croydon, 1987, p. 11, no. 90
Exhibited
Oriental Ceramic Society, London, Ceramic Art of China, 9 June - 25 July, 1971, Catalogue No. 153.

Brought to you by

Ruben Lien
Ruben Lien

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The current bowl is known as a lianzi wan, or lotus bowl, for its similarity in form to that of a lotus pod. The form originated in the Yongle period, and retained its popularity in the reign of Xuande, as demonstrated by a group of Xuande-marked lianzi bowls in the National Palace Museum, Taipei, published in Catalogue of the Special Exhibition of Selected Hsüan-te Imperial Porcelains of the Ming Dynasty, Taipei, 1998, pp. 360-377, nos. 153-161, where examples in both blue and white and monochrome white are illustrated under each of the three size categories: large (20.4-20.7 cm. in diameter), medium (15.9 - 16.0 cm.) and small (10.0-10.1 cm.). The present bowl is nearly identical in size and decoration to one of the two medium-sized blue and white examples cited, see ibid., pp. 370-1, no. 158, where it is noted that the bowl is closely modelled after its earlier Yongle prototype, though the unmarked prototype is lighter in weight and is potted with a narrower foot ring. The other medium-sized blue and white example illustrated has a similar decoration on the interior save for the omission of the dianthus scroll to the cavetto, and the replacement with a cash diaper border to the rim, while the exterior has a more simplified decoration with a band of stylised petals encircling the base between a narrow border of key fret at foot and another at rim. This decoration is the more common of the two, other examples of this type include another in the National Palace Museum, Taipei, illustrated in Ming Xuande ciqi tezhan, Taipei, 1980, no. 43; one published in Zhongguo taoci quanji, vol. 12, Shanghai, 1999-2000, pl. 66; and another illustrated by A.D. Brankston in Early Ming Wares of Chingtechen, Beijing, 1938, pl. 13d, where the underside is compared to that of an unmarked Yongle prototype, pl. 7 c and d.

Apart from the above-mentioned example in the National Palace Museum, no other Xuande-marked lianzi bowl bearing the current decoration appears to be published, though several examples of its Yongle prototype are known, including one in the National Palace Museum, published in Catalogue of a Special Exhibition of Early Ming Period, Taipei, 1984, no. 24; and one bequeathed by Mrs. Walter Sedgwick to the British Museum, illustrated by S. Jenyns in Ming Pottery and Porcelain, London, 2001, p. 113 no. 28A; another, a bequest of Mrs. W. Roberts, now in the Victoria and Albert Museum, illustrated by J. Ayers in Far Eastern Ceramics in the Victoria and Albert Museum, London, 1980, no. 46, where it has been dated to early 15th century; a fourth from the Ardebil Shrine, now in the National Museum of Iran, illustrated by T. Misugi in Chinese Porcelain Collections in the Near East Topkapi and Ardebil, vol. 3, Hong Kong, 1981, p. 137, no. A. 53; and another sold at Christie's Hong Kong, 29 May 2007, lot 1452.

It is interesting to compare the decoration on the current bowl to that on the mantou xin bowl in this sale, lot 3107. The two are closely related in both having a completely decorated surface on the interior, comprised of similar concentric bands surrounding a central floral medallion, and in both bearing a narrow band of floral scroll above a border of interlinked pendent trefoils below the exterior rim.

More from The R.F.A Riesco Collection of Important Chinese Ceramics

View All
View All