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The Four Horsemen of the Apocolypse, from: The Apocalypse (B. 64; M. Holl. 167; S.M.S. 115)
Details
Albrecht Dürer
The Four Horsemen of the Apocolypse, from: The Apocalypse (B. 64; M. Holl. 167; S.M.S. 115)
woodcut, circa 1497/98, without watermark, a good yet somewhat uneven impression from the Latin text edition of 1511, trimmed to or on the borderline, with a thread margin below, a 15 mm. horizontal tear at lower right, otherwise in good condition
S. 396 x 277 mm.
The Four Horsemen of the Apocolypse, from: The Apocalypse (B. 64; M. Holl. 167; S.M.S. 115)
woodcut, circa 1497/98, without watermark, a good yet somewhat uneven impression from the Latin text edition of 1511, trimmed to or on the borderline, with a thread margin below, a 15 mm. horizontal tear at lower right, otherwise in good condition
S. 396 x 277 mm.
Provenance
Tomás Harris (1908-1964), London (not in Lugt); then by descent.
With Colnaghi’s, London, on behalf of the heirs of the above.
The Sterling and Francine Clark Art Institute, Williamstown, Massachusetts; purchased from the above in 1968; de-accessioned in August 2013.
With Colnaghi’s, London, on behalf of the heirs of the above.
The Sterling and Francine Clark Art Institute, Williamstown, Massachusetts; purchased from the above in 1968; de-accessioned in August 2013.
Special notice
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.
Présenté par
Charlie Scott
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