AN ITALIAN PARCEL-GILT ROSEWOOD, WALNUT AND BOIS CITRONNIER BUREAU-CABINET
AN ITALIAN PARCEL-GILT ROSEWOOD, WALNUT AND BOIS CITRONNIER BUREAU-CABINET
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Prospective purchasers are advised that several co… Read more PROPERTY FROM AN ITALIAN PRIVATE COLLECTION (LOTS 54 TO 56)
AN ITALIAN PARCEL-GILT ROSEWOOD, WALNUT AND BOIS CITRONNIER BUREAU-CABINET

ROME, SECOND QUARTER 18TH CENTURY

Details
AN ITALIAN PARCEL-GILT ROSEWOOD, WALNUT AND BOIS CITRONNIER BUREAU-CABINET
ROME, SECOND QUARTER 18TH CENTURY
Inlaid overall with foliate scrolls, the arched cresting with broken pediment centred by a standing classical figure, flanked by urn finials, above a pair of arched and recessed mirrored doors enclosing a fitted walnut-veneered interior with central and side niches, above two short drawers, the lower section fitted with a sloping front revealing a writing surface and five variously-sized drawers around a beige velvet-lined compartment and a secret slide enclosing a further two drawers and a well, above three long shaped drawers with cartouche-shaped lockplates, the shaped sides inlaid conformingly and adorned with foliate-carved spandrels, on shaped bracket feet
99½ in. (252.5 cm.) high; 57 in. (145 cm.) wide; 27½ in. (70 cm.) deep
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Anne Qaimmaqami

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Lot Essay

This rare Roman ‘burò’, baroque in its conception, is an impressive example of Italian ebanisteria of the second quarter of the eighteenth century. Although the overall form is influenced by seventeenth century Anglo-Dutch models, the exaggerated proportions and pronounced scrolled volutes to the angles, or spigoli, indicate a Roman origin. The cabinet’s boldly curving profile, in particular to the rippling outline of the lower drawers, are distinguishing features also found on numerous cassettone con ribalta of the period. Another element which identifies the cabinet as quintessentially Roman is the decoration to the slope, which includes three panels of interlacing marquetry scrolls enclosing richly-figured rosewood. The abundance of finely carved giltwood ornamentation, adorned to not only the pediment and surrounds of the arched mirrored doors, but also to the walnut veneered fitted interior, is also worthy of note.
A virtually identical bureau-cabinet, albeit with painted landscapes to the reverse of the doors, possibly from the same workshop as the present cabinet, is illustrated in A. González-Palacios, Arredi e Ornamenti alla Corte di Roma 1560-1795, Milan, 2004, p. 182-183

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