A POLYCHROME CARVED STONE HEAD OF A FEMALE SAINT, PROBABLY THE VIRGIN
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A POLYCHROME CARVED STONE HEAD OF A FEMALE SAINT, PROBABLY THE VIRGIN

ATTRIBUTED TO THE WORKSHOP OF SAINT NICHOLAS OF NEUFCHATEAU, CIRCA 1460-1480

Details
A POLYCHROME CARVED STONE HEAD OF A FEMALE SAINT, PROBABLY THE VIRGIN
ATTRIBUTED TO THE WORKSHOP OF SAINT NICHOLAS OF NEUFCHATEAU, CIRCA 1460-1480
On a modern rectangular wood plinth
11½ in. (28.8 cm.) high; 12¾ in. (32.3 cm.) high, overall
Literature
COMPARATIVE LITERATURE:
W. Forsyth, The Entombment of Christ: French Sculptures of the Fifteenth and Sixteenth Centuries, Harvard, 1970.
F. Baron (ed.), Musée du Louvre, Sculpture Francaise I, Moyen Age, Paris, 1996, no. RF1456, p. 177.
Special notice
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

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Anne Qaimmaqami
Anne Qaimmaqami

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Lot Essay

The soft face, projecting upper lip, bulbous chin and the formation of the nose and eye of the present head are all highly comparable to that of the figures of the Entombment in the church of Saint-Nicolas at Neufchateau in Lorraine (Forsyth, loc. cit., pp. 32-40, nos. 25-30).
The Franciscan church of Neufchateau was built in the 1430s by the dukes of Lorraine. The workshop that produced the Entombment was comprised of the finest sculptors in the region and they also carved monuments at Domjulien, Charmes and Bayon. Two other female heads that have survived, one in the Louvre (Baron, loc. cit.) and the other in the Walters Art Gallery (Forsyth, op. cit., no. 28), that are attributed to the same workshop, share these characteristics of style and scale that suggest they came from the same hand as the present head.

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