Paul Guiragossian (Lebanese, 1926-1993)
PROPERTY OF AN IMPORTANT COLLECTOR
Paul Guiragossian (Lebanese, 1926-1993)

Festivities

细节
Paul Guiragossian (Lebanese, 1926-1993)
Festivities
signed 'Paul. G.' (lower centre)
oil on canvas
51 3/8 x 32 1/8in. (130.5 x 81.5cm.)
Painted in 1986
来源
Artspace DIFC, Dubai.
Acquired from the above by the present owner.
展览
Dubai, Artspace DIFC, ARTSPACE Grand Opening Group Exhibition, 2008.
New York, Chelsea Art Museum, Italia Arabia: Artistic Convergences between Italy and Egypt, Lebanon, Syria and Iran, 2008 (illustrated in colour, p. 47).
更多详情
The Paul Guiragossian Foundation, Beirut, has kindly confirmed the authenticity of this work. We would like to thank the Paul Guiragossian Foundation for their assistance in researching this painting.

荣誉呈献

Bibi Naz Zavich
Bibi Naz Zavich

查阅状况报告或联络我们查询更多拍品资料

登入
浏览状况报告

拍品专文

As one of the most distinguished Lebanese Modern artists, Paul Guiragossian captivates collectors and art appreciators alike with his bold brushwork and strong use of texture and colour. Christie's is pleased to offer a selection of three works by the artist in this season's auction. The present lot, Festivities dating from 1986 is a captivating example from Guiragossian's celebrated late series whereby the artist had achieved a sense of maturity in style, incorporating abstract elongated slim lines in his compositions.

Although his earlier works were more figurative in style, from the late 1970s onwards Guiragossian would gradually liberate himself from the confines of the discernable human figure, which manifested in thick brushstrokes that created intricate and dense layers of colour in his paintings. In Festivities, Guiragossian adopts a vibrant and shining palette of colours from which emanates a sense of happiness that is associated with a jovial event that would require festivity. Crowded with rigid vertical figures, Guiragossian creates a tangible sense of depth in the handling of a vast crowd. There is a sense of intimacy in the artwork that is reflective of Middle Eastern culture as a sense of warmth radiates from the canvas. The figures are full of life and dynamism, the vivacious colours symbolising a sign of hope and rebellion against the underlying human misery that was particularly poignant at the time of the Civil War in Lebanon.

On closer inspection, the viewer realises that these extended caricatures of the human form also convey a sense of tragedy and suffering. Woman, child and man become faceless imprints delineated by a powerful brushstroke; their solitude portrayed as patches of colour that appear to be close, yet never overlap. The thick impasto denotes a heavy suffering, misery and depression that plagued the artist in a series of misfortunate events in his life. Within his work, the artist manages to portray both joy and sadness and the juxtaposition of luminosity and density of colour against a deeper underlying sense of angst produces a visually arresting, multi-layered composition that renders Festivities an emotionally captivating work of art.

Organised by the Paul Guiragossian Foundation, a retrospective of the artist's works entitled Paul Guiragossian: The Human Condition was recently held at the Beirut Exhibition Centre on the occasion of the 20th anniversary of the artist's passing.

更多来自 现代及当代阿拉伯、伊朗及土耳其艺术 (包括灯塔艺术基金珍藏及慕亚夫‧阿卢西珍藏杰作)

查看全部
查看全部