Rokni Haerizadeh (Iranian, b. 1978)
Property from a Private American Collection 
Rokni Haerizadeh (Iranian, b. 1978)

Sinking of a book by Omar Khayyam

Details
Rokni Haerizadeh (Iranian, b. 1978)
Sinking of a book by Omar Khayyam
signed and titled in Farsi, signed, titled and dated twice 'Rokni haerizadeh 2004 Sinking of a book by Omar Khayyam 2004' (on the reverse)
acrylic on canvas
79 1/8 x 118½in. (201 x 301cm.)
Painted in 2004
Provenance
IVDE Gallery, Dubai.
Acquired from the above by the present owner.
Literature
M. Dailey, "By Virtue of Hope", in Canvas, vol. 6, issue 4, 2010 (illustrated in colour, p. 48).
Exhibited
Dinard, Palais des Arts et du Festival, Hope!, 2010.

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Bibi Naz Zavich
Bibi Naz Zavich

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Lot Essay


Sinking of a book by Omar Khayyam, a monumental composition with the artist's signature expressionist brushstrokes, depicts a sinking ship and wooden rafts on which passengers are desperately seeking rescue. Like in a modernised commedia dell'arte scene, the characters' features and expressions are exaggerated and distorted while the sense of satirical despair is accentuated by the stormy waters survivors are fighting against and the artist's swirling touches of paint in vivid hues.
Evidently depicting the sinking of the Titanic, the present work is a painterly adaptation of Amin Maalouf's part fictional part historical novel Samarkand, in which the author narrates the story about the fate of a eleventh century manuscript by Omar Khayyam. Entitled Rubaiyat, the manuscript was considered through history as a symbol of intellectual freedom in Iran and according to Maalouf, a bejewelled copy of the acclaimed manuscript disappeared during the tragic sinking of the Titanic. Through this exceptional composition, Rokni Haerizadeh thus metaphorically alludes to the sinking of free-will and freedom in his native country, Iran.
Painted in 2009 at a time when Rokni and his brother Ramin had recently exiled from their homeland to settle in Dubai, Sinking of a book by Omar Khayyam is undeniably an expression of the artist's own sense of non-belonging and desolation and as such, is an outstanding masterpiece filled with historical, cultural and personal references.

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