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The Critic Sees, from: Ten from Leo Castelli, 1967 (Universal Limited Art Editions 25)
Details
Jasper Johns (b. 1930)
The Critic Sees, from: Ten from Leo Castelli, 1967 (Universal Limited Art Editions 25)
embossing and screenprint, 1967, on watermarked Rives paper and acetate, signed, titled and dated in pencil, numbered 60/200 (there were also fifteen artist's proofs), published by Tanglewood Press, with their blindstamp, the full sheet with deckle edges; with Lee Bontecou Untitled, from: Ten from Leo Castelli, 1968, screenprint, 1967, printed on fabric, signed in pencil and numbered 60/200 on the mount; with James Rosenquist Sketch for Forest Ranger, from: Ten from Leo Castelli, 1967, screenprint in colours, 1967, on fringed plastic film with perspex incised with signature, dated and numbered 60/200, published by Tanglewood Press, New York, hairline scratches in a number of the fringes; with Larry Poons Untitled, from: Ten from Leo Castelli, lithograph in colors, 1967, on wove paper, signed in pencil, numbered 60/200, published by Tanglewood Press, New York, with their blindstamp, all with minor defects
S. 610 x 514 mm. (and smaller)
(4)
The Critic Sees, from: Ten from Leo Castelli, 1967 (Universal Limited Art Editions 25)
embossing and screenprint, 1967, on watermarked Rives paper and acetate, signed, titled and dated in pencil, numbered 60/200 (there were also fifteen artist's proofs), published by Tanglewood Press, with their blindstamp, the full sheet with deckle edges; with Lee Bontecou Untitled, from: Ten from Leo Castelli, 1968, screenprint, 1967, printed on fabric, signed in pencil and numbered 60/200 on the mount; with James Rosenquist Sketch for Forest Ranger, from: Ten from Leo Castelli, 1967, screenprint in colours, 1967, on fringed plastic film with perspex incised with signature, dated and numbered 60/200, published by Tanglewood Press, New York, hairline scratches in a number of the fringes; with Larry Poons Untitled, from: Ten from Leo Castelli, lithograph in colors, 1967, on wove paper, signed in pencil, numbered 60/200, published by Tanglewood Press, New York, with their blindstamp, all with minor defects
S. 610 x 514 mm. (and smaller)
(4)
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