A GEORGE IV ORMOLU-MOUNTED PEWTER AND BRASS BOULLE, TORTOISESHELL AND EBONISED DRESSING-TABLE
Prospective purchasers are advised that several co… 顯示更多
A GEORGE IV ORMOLU-MOUNTED PEWTER AND BRASS BOULLE, TORTOISESHELL AND EBONISED DRESSING-TABLE

ATTRIBUTED TO JAMES NIXON, EARLY 19TH CENTURY, THE BOULLE PANELS ON THE TOP CIRCA 1700

細節
A GEORGE IV ORMOLU-MOUNTED PEWTER AND BRASS BOULLE, TORTOISESHELL AND EBONISED DRESSING-TABLE
ATTRIBUTED TO JAMES NIXON, EARLY 19TH CENTURY, THE BOULLE PANELS ON THE TOP CIRCA 1700
The central sliding panel with Charity below a baldachino enclosing a red damask-lined well, flanked on each side by a hinged flap with Hercules in an entwined foliate border enclosing a further well, with foliate-inlaid frieze to all four sides and shaped apron, on cabriole legs inlaid with foliage trails and with scrolled foliate sabots, with 19th century paper label inscribed in ink 'not in inventory J.N.G. Gift of the Dean' and with printed paper label 'ART TREASURES EXHIBITION 1857 MUSEUM OF ART Proprietor' and inscribed in ink 'R. N. Grenville', minor replacements to the Boulle on the top
28¾ in. (73 cm.) high; 26½ in. (67 cm.) wide; 18¾ in. (47.5 cm.) deep
來源
The Hon. George Neville Grenville (1789-1854), son of 2nd Baron Braybrooke (d.1825), who added Grenville to his surname on inheriting Butleigh Court in Somerset from James Grenville, 1st Lord Glastonbury (d.1825). George Neville Grenville was Dean of Windsor 1846-54.
Presumably given by him to his daughter-in-law Julia Neville Grenville (d.1892).
出版
Catalogue of the Manchester Art Treasures Exhibition, 1857, p. 5, Furniture Section: 'and a richly-inlaid wood arabesque Table of the 18th century' listed after 'A rich buhl Coffer and Stand'.
刻印
Manchester, Old Trafford, Art Treasures Exhibition, 1857
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

拍品專文

The central tablet of the 17th century boulle top celebrates the virtue 'Charitas' and is flanked by medallions depicting Hercules resting from his labours. The female figure of Charity is framed in a baldachino guarded by Venus's dolphins, emblematic of 'Love's triumph'. The subject appears to derive from an engraving after a painting of 'Charity' by Philippe de Champaigne (d. 1674), a founder of the French Academy (Nancy, Musée des Beaux Arts). The canopy is taken from an engraving by Jean Bérain (d. 1711). (T.A. Strange, French Interiors, Furniture, Decoration, Woodwork and Allied Arts, rev. ed., London, 1950, p. 97. The top is likely to have been taken from a late 17th century folding-top pedestal table, such as one attributed to Pierre Golle (d. 1684) and inlaid with the Royal fleurs-de-lys, and another table acquired for the British Royal Collection in the early 19th century (J. Walsh, Masterpieces of the J. Paul Getty Museum: Decorative Arts, Los Angeles, 1997, p. 53 and fig 39).

The combination of the 17th century table top with a contemporary boulle frame was fashionable in England during George IV's reign. It is likely to have been made by the antique dealer cabinet-maker James Nixon (fl. 1816-39) of Great Portland Street, who was noted for acquiring 'curious (finely wrought) and ancient furniture... and adapting them to modern use' (J.C. Loudon, Encylopaedia of Cottage, farmhouse and Villa Architecture and Furniture, 1833). There was a closely related table amongst the furniture probably bought from Nixon by Lord Stuart de Rothesay (d. 1845) of Highcliffe Castle, Hampshire, Ambassador in Paris during much of the period of 1816 to 1831 (S. Medlam, The Bettine, Lady Abingdon Collection, London, 1996, p. 61, no. F21).

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