TWO SEVRES PLATES (ASSIETTES 'A PALMES')
TWO SEVRES PLATES (ASSIETTES 'A PALMES')

CIRCA 1778, BOTH WITH BLUE INTERLACED L MARKS ENCLOSING DATE LETTERS AA, PAINTER'S MARKS N FOR FRANCOIS-JOSEPH ALONCLE AND A CIRCLE OF DOTS FOR RAUX (L'AINE), BLUE GILDER'S MARK BD FOR FRANCOIS BAUDOUIN, INCISED 34

細節
TWO SEVRES PLATES (ASSIETTES 'A PALMES')
CIRCA 1778, BOTH WITH BLUE INTERLACED L MARKS ENCLOSING DATE LETTERS AA, PAINTER'S MARKS N FOR FRANCOIS-JOSEPH ALONCLE AND A CIRCLE OF DOTS FOR RAUX (L'AINE), BLUE GILDER'S MARK BD FOR FRANCOIS BAUDOUIN, INCISED 34
Each painted with exotic birds in a landscape vignette, the border with six blue trelliswork cartouches linked with flower garlands, within gilt and blue C-scrolls and shaped rims (minor scratching to glaze and slight wear to gilding)
10 ? in. (25.7 cm.) wide

榮譽呈獻

Matilda Burn
Matilda Burn

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拍品專文

This form of plate was introduced at Vincennes in 1753 and similar decoration started to appear shortly after this. These plates may be a later addition to an earlier service, which explains why the design was still in use into the 1770s. See the footnote to lot 36, a Vincennes sugar bowl, cover and stand painted with the same pattern.

Aloncle was a painter of birds, animals and landscapes, who was active at the manufactory 1758-81; Baudouin, was a gilder, and was active from 1750-1800 and Raux was a painter of flowers between 1766 and 1779.


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