A PAIR OF FRENCH ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND BOIS DE BOUT MARQUETRY OPEN BIBLIOTHEQUES
A PAIR OF FRENCH ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND BOIS DE BOUT MARQUETRY OPEN BIBLIOTHEQUES
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PROPERTY FROM THE CORNWALL COLLECTION
A PAIR OF FRENCH ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND BOIS DE BOUT MARQUETRY OPEN BIBLIOTHEQUES

BY JOSEPH-EMMANUEL ZWIENER, PARIS, LAST QUARTER 19TH CENTURY

Details
A PAIR OF FRENCH ORMOLU-MOUNTED KINGWOOD, TULIPWOOD AND BOIS DE BOUT MARQUETRY OPEN BIBLIOTHEQUES
BY JOSEPH-EMMANUEL ZWIENER, PARIS, LAST QUARTER 19TH CENTURY
Each with inset shaped incarnat turquin marble top, above a serpentine frieze centered by a male or female mask, above three open shelves, the bombé sides inlaid with floral marquetry, the angles with acanthus clasps, terminating in scrolled feet, the mounts variously stamped Z to the reverse, the reverse of each numbered 12207 or 12208 in black crayon
55½ in. (141 cm.) high, 53 in. (134.5 cm.) wide, 17 in. (43 cm.) deep (2)
Provenance
Sotheby's, London, 27 May 1994, lot 156.

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Lot Essay

These graceful bombé bibliothèques are exemplary of Zwiener's distinctive fin de siècle style which expertly fused the high-rococo opulence of the Louis XV period with the fashionable Art Nouveau.

Born in Herdon, Germany, in 1849, Zwiener worked in Paris between 1880 and 1895 with workshops at 12 rue de la Roquette and established himself as one of the premier haut luxe cabinetmakers of the late 19th century. Zwiener was awarded a médaille d'or at the 1889 Paris Exposition Universelle for a magnificent jewellery-cabinet which, like these bookcases, is of curvaceous Louis XV style (sold Christie's, London, 17 March 2011, lot 409, £623,650). Following this success, Kaiser Wilhelm II called Zwiener back to his native Germany to undertake a substantial commission for the Berliner Schloss, including an important bedroom suite sold Sotheby's, New York, 29 June 1989, lots 270-275, now on display at Schloss Charlottenberg.
The present bookcases are a true pair, their serpentine friezes are centered by a male and female water mask respectively. It is thought that Zwiener's Paris workshop was taken over by Maison Jansen, but the pine carcass suggests that the present bookcases are of German manufacture and thus date to after Zwiener's return to Berlin when he had workshops at 81 Gutschinerstrasse. A single bookcase of the model was removed by Kaiser Wilhelm II in exile to Haus Doorn in The Netherlands in 1918 (illustrated Kaiserlicher Kuntstbesitz, Berlin, 1991, no. 321, p. 287).

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