AWHAD AL-DIN ‘ALI BIN ISHAQ ANWARI AL-ABYURDI (D. 1189): DIWAN
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AWHAD AL-DIN ‘ALI BIN ISHAQ ANWARI AL-ABYURDI (D. 1189): DIWAN

THE QAJAR ATTRIBUTION TO BABA SHAH BIN SULTAN’ALI ‘IRAQI BY SHAMS AL-UDABA', SAFAVID IRAN WITH QAJAR ADDITIONS, 16TH AND 19TH CENTURY

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AWHAD AL-DIN ‘ALI BIN ISHAQ ANWARI AL-ABYURDI (D. 1189): DIWAN
THE QAJAR ATTRIBUTION TO BABA SHAH BIN SULTAN’ALI ‘IRAQI BY SHAMS AL-UDABA', SAFAVID IRAN WITH QAJAR ADDITIONS, 16TH AND 19TH CENTURY
Poetry, Persian manuscript on paper, 204ff. plus two fly-leaves, each folio with 15ll. of fine black nasta’liq script arranged in two columns with double black-ruled gold divisions, titles in gold nasta’liq script within cartouches, text within black-ruled gold frame, with catchwords, opening folio with fine Qajar illuminated shamsa in gold and polychrome attributing the manuscript to Baba Shah ‘Iraqi, on a ground of finely painted gold palmettes, the Qajar colophon signed Sunday 17 Safar AH 1286/29 May 1869 AD and signed ‘Ali al-Sharif Al-Zarif Shams al-Udaba’, final folio with colophon a Qajar replacement, with crude pagination in pen, in modern stamped binding
Text panel 5 7/8 x 2 7/8in. (15 x 7.5cm.); folio 9 ½ x 6 ¼in. (24.3 x 15.8cm.)
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Lot Essay

Baba Shah was famed as a master of nasta’liq script. The dates and details of his life have been subject to some dispute. He possibly studied at a young age with Mir ‘Ali Haravi (d. 1544-45 AD) and must have died in Baghdad around 1587-88 AD when he was still relatively young. Iskandar Beg, the historian of the Safavid court, wrote that Baba Shah was without rival in Iraq and Khurasan. He is the author of a number of works of which the most famous is Adab al-Mashq, a treatise on nasta’liq script. For a discussion on Baba Shah and Adab al-Mashq, see Carl W. Ernst, The Spirit of Islamic Calligraphy: Baba Shah I?fahani's Adab al-Mashq , in Journal of the American Oriental Society, Vol. 112, No. 2, 1992, pp.279- 286

The added Qajar shamsa states that this copy was originally commissioned for the library of Shah Tahmasp (r. 1524-1576 AD).

A calligraphic panel by the Qajar calligrapher Shams al-Udaba', who attributes this manuscript to Baba Shah 'Iraqi, is in the Harvard Art Museums and dated 1862 AD (1958.210 https://www.harvardartmuseums.org/art/214451).

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