A CHALCIDIAN BLACK-FIGURED NECK AMPHORA
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A CHALCIDIAN BLACK-FIGURED NECK AMPHORA

CIRCA 550-500 B.C.

細節
A CHALCIDIAN BLACK-FIGURED NECK AMPHORA
CIRCA 550-500 B.C.
Decorated on each side with two registers, the top register with central quatrefoil palmette and lotus flower design flanked on either side with a seated panther, frontally facing head, with one forepaw raised, rosettes in the field, the lower register with central palmette and lotus flower, flanked on one side with a standing siren, her wings outstretched and her head turned back, and on the other side a seated frontally facing sphinx with wings outstretched and curling tail, a wavy red line around the neck, rays around the foot, details in added white and red
11 in. (28 cm.) high
來源
Private collection, UK, acquired 19th Century; and thence by descent to the present owner.

榮譽呈獻

Francesca Hickin
Francesca Hickin

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Chalcidian vases were produced in a Western Greek studio during the mid to late 6th century B.C. According to J. Boardman, Early Greek Vase Painting, p. 217, the name Chalcidian "is not a misnomer although it was first applied under the misconception that the pottery was made in homeland Chalcis (Euboea) because the inscriptions on some of the bases were in Chalcidian script. . . .The Chalcidian colony at Rhegion (Reggio) at the toe of Italy seems a likely source." The Phineas Painter and other Chalcidian painters produced vases with animals and monsters around a floral interlace of palmettes and buds, "they are the last worthy exponents of the animal frieze style which had heralded Orientalizing decoration on vases a hundred and fifty years earlier".

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