A LARGE NAPOLEON III ORMOLU THREE-PIECE CLOCK GARNITURE
A LARGE NAPOLEON III ORMOLU THREE-PIECE CLOCK GARNITURE

ATTRIBUTED TO VICTOR RAULIN, PARIS, THIRD QUARTER 19TH CENTURY

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A LARGE NAPOLEON III ORMOLU THREE-PIECE CLOCK GARNITURE
ATTRIBUTED TO VICTOR RAULIN, PARIS, THIRD QUARTER 19TH CENTURY
Comprising a mantel clock and a pair of ten-light candelabra, the clock with cartouche-shaped case with scrolled acanthus, bulrushes, putti, dolphins and Nereids, variously numbered and stamped 'RAU[..]', the twin-barrel movement with strike on bell, the candelabra en suite with tritons supporting nymphs
The clock: 32 in. (81 cm.) high; 26 in. (66 cm.) wide; 9 ¾ in. (25 cm.) deep
The candelabra: 41 ¼ in. (105 cm.) high

榮譽呈獻

Adam Kulewicz
Adam Kulewicz

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拍品專文

In 1878, Victor Raulin succeeded to his father's business, established initially at rue de Turenne and from 1882 in the Boulevard Saint-Germain, specialising in marquetry and lacquer furniture in the 18th century taste. Two years earlier the firm had been authorised by the Ministry of Public Works to reproduce furniture and bronzes from a number of national palaces, showing that although Raulin is renowned as a fabricant de meubles the firm also produced and probably retailed elaborate gilt-bronze objéts d’art including garniture de cheminées. In 1887, the Révue des Arts Décoratifs described M. Raulin as, 'aussi habile ébéniste que bon fabricant de bronzes’. The firm had exhibited 'des bras Louis XVI à deux lumières, d’aprés Forty, qui pourraient avec success soutenir la comparaison avec des Riesener’ (V. Champier, tome VIII, p. 274). The gilt-bronze mounts applied to the firm's furniture was also commented on for their lightness and grace, and compared favourably to gilt-bronze mounts of the Louis XV period. At this exhibition the jury presented M. Raulin with a médaille d’argent.

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