Fateh Moudarres (Syrian, 1922-1999)
Lots are subject to 5% import Duty on the importat… Read more PROPERTY FROM THE COLLECTION OF THE ARTIST'S FAMILY
Mahmoud Hammad (Syrian, 1923-1988)

Lakad Da'a Sha'iri Ala Babikom (My Poetry Was Lost at Your Door)

Details
Mahmoud Hammad (Syrian, 1923-1988)
Lakad Da'a Sha'iri Ala Babikom (My Poetry Was Lost at Your Door)
signed and dated in Arabic, signed 'Hammad' (lower right)
oil and encaustic on canvas
22 7/8 x 29 3/8in. (58 x 74.5cm.)
Painted in 1967
Provenance
The Artist's Estate.
Exhibited
Damascus, Syrian Arab Republic Ministry of Culture and National Guidance, Autumn Exhibition, 1968.
Special notice
Lots are subject to 5% import Duty on the importation value (low estimate) levied at the time of collection shipment within UAE. For UAE buyers, please note that duty is paid at origin (Dubai) and not in the importing country. As such, duty paid in Dubai is treated as final duty payment. It is the buyer's responsibility to ascertain and pay all taxes due.
Further details
This work will be included in the forthcoming Mahmoud Hammad Catalogue raisonné and on the official website www.mahmoudhammad.com.

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Lot Essay

MAHMOUD HAMMAD
Christie's is delighted to offer two masterpieces by the Syrian Modernist Mahmoud Hammad, known to be the first Syrian artist to incorporate Arabic calligraphy into his modern works. His painting Lakad Daa Shiiri Ala Babikom (lot 53 in the present sale) is an exceptional example from the 1960s, with a calligraphy inspired by a verse by Abu Nuwas, one of the greatest classical poets from the Arab World. The verse is extracted from a poem about love and poetry and the artist has used primary colours as well as a textured and neutral toned background to display the calligraphy.

The second work by Mahmoud Hammad is a five panelled work entitled Rythme Bleu - mauve en 5 temps, an outstanding abstract and cubist composition. The panels depict a series of rectangular and cubic planes in hues of blue and purple. Once assembled, the panels become a geometrical composition that may be interpreted as a still-life or rather an exceptionally abstracted calligraphic work, revealing the plastic development of the artist.

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