AN ASSEMBLED GARNITURE OF THREE FRENCH ORMOLU-MOUNTED APPLE GREEN-GROUND PORCELAIN VASES
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AN ASSEMBLED GARNITURE OF THREE FRENCH ORMOLU-MOUNTED APPLE GREEN-GROUND PORCELAIN VASES

LATE 18TH/EARLY 19TH CENTURY, THE LARGER VASE PROBABLY SEVRES

Details
AN ASSEMBLED GARNITURE OF THREE FRENCH ORMOLU-MOUNTED APPLE GREEN-GROUND PORCELAIN VASES
LATE 18TH/EARLY 19TH CENTURY, THE LARGER VASE PROBABLY SEVRES
Comprising a larger central vase, probably Sèvres and a pair of smaller French porcelain vases, each cylindrical tapering body with waisted pierced guilloche rim and scrolling foliate handles, the larger with handles terminating in lion's masks, surmounted by a domed lid with foliate finial, on a waisted foot with simulated fluting and a circular laurel band, on a square base

11 ½ in. (29 cm.) and 8 ½ in. (21.5 cm.) high, respectively
Provenance
Rodolphe-Ferdinand Grand, Paris.
Château d’Hauteville, since 1808.
Literature
Listed in the 1798 inventory of Rodolphe-Ferdinand Grand for 118 Rue Neuve des Capucines in Paris.
Listed in the 1808-1818 inventory of Château d’Hauteville, after Daniel Grand d'Hauteville renovated the château.
F. Grand d’Hauteville, Le Château d’Hauteville, Lausanne, 1932, pp. 94 (illus.) and 139.
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Carlijn Dammers

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Lot Essay

The Sèvres factory first produced vases à monter, or vases intended to be fitted with ormolu mounts, in around 1764. The main three forms of such vases assembled into garnitures were tapering cylindrical (of two differing dimensions, as seen in the present lot) and egg-shaped. These vases were then glazed, often in a solid ground colour and then sold largely to marchand-merciers who then embellished them with mounts.

These vases bear mounts of one of five basic styles. This indicates in all likelihood that the marchand-merciers who purchased the vases à monter produced their own signature mounts. A complete garniture incorporating a pair of egg-form vases, a pair of small cylindrical and one large cylindrical vase is in the Wadsworth Athenaeum, Hartford (see Linda H. Roth and Clare Le Corbeiller, French Eighteenth Century Porcelain at the Wadsworth Atheneum: The J. Pierpont Morgan Collection, 2000, p. 156, fig. 74.).

A closely related three-piece garniture, formerly in the collection of Mme. Jules Fribourg, is illustrated in S. Eriksen, Early Neo-Classicism in France, 1974, p. 363, fig. 242. Eriksen refers to an identical pair of vases, part of a garniture and also bearing the date letter 'q' for 1769, sold in the Erich von Goldschmidt-Rothschild sale, Berlin, 23 March 1931, lot 206. Other examples of vases include:- a pair from the Keck Collection, La Lanterne, Bel Air, California, sold Sotheby's, New York, 5-6 December 1991, lot 225; a pair sold Christie's London, 17 June 1987, lot 32; another pair, formerly part of a garniture, with apple green-ground from the collection of the late Earls of Sefton and sold by Christie's at Croxteth Hall, Liverpool, 17-20 September 1973, lot 908 and again Christie's London, 5 July 1984, lot 13; a three-piece garniture, again with apple green-ground sold from the Jaime Ortiz-Patiqno Collection, Sotheby's New York, 20 May 1992, lot 31; a pair and two garnitures of three, each on solid apple green-ground, formerly in the collection of the Marquess of Cholmondeley at Houghton, Norfolk, sold Christie's London, 8 December 1994, lots 36-38. A matched garniture with apple green-ground comprising a pair of smaller egg-shaped vases and a larger vase of similar form to that in the present lot was in the collection of George Byng at Wrotham, Bedfordshire, sold Christie's London, 9 June 2005, lot 1.

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