A FINELY-CARVED AMBER-BROWN GLASS BOTTLE
A FINELY-CARVED AMBER-BROWN GLASS BOTTLE

PROBABLY IMPERIAL, ATTRIBUTED TO THE PALACE WORKSHOPS, BEIJING, 1730-1780

細節
A FINELY-CARVED AMBER-BROWN GLASS BOTTLE
PROBABLY IMPERIAL, ATTRIBUTED TO THE PALACE WORKSHOPS, BEIJING, 1730-1780
The exterior of the bottle is carved with a continuous design of four chi dragons, two on each side forming a roughly circular medallion. The tails from one beast on each side curling beneath the base to form the footrim.
2 1/4in. (5.7 cm.) high, stopper
來源
Colonel Aleksander Kedzior, Poland's Ambassador to China, purchased prior to 1986
Sold at Sotheby's London, 28 April 1987, lot 761
The J & J Collection; sold at Christie's New York, 30 March 2005, lot 48
出版
JICSBS, Autumn 1989, p. 19, fig. 2
Moss, Graham, Tsang, The Art of the Chinese Snuff Bottle. The J & J Collection, New York/Tokyo, 1993, vol. II, no. 369
展覽
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Snuff Bottles from China. The J & J Collection, Frankfurt am Main, Germany, 1996-1997
The Percival David Foundation of Chinese Art, The Art of the Chinese Snuff Bottle: The J & J Collection, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, The Miniature World: An exhibition of snuff bottles from the J & J Collection, Taipei, 2002
Poly Art Museum, The Art of Chinese Snuff Bottle: Selected Snuff Bottle Collection of James Li, Beijing, 2003

榮譽呈獻

Ruben Lien
Ruben Lien

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拍品專文

The Yongzheng Palace Archives mention 'amber [glass] cups with carved decoration' (see Yang Boda, 'A Brief Account of Qing Dynasty Glass', Chinese Glass of the Ch'ing Dynasty 1644-1911, The Robert H. Clague Collection, p. 78). There is evidence that the present glass bottle was made in imitation of amber, when compared with another snuff bottle in the J & J Collection with similar carved decoration but made of amber, illustrated by Moss, Graham, Tsang, op.cit., vol. II, no. 294.

The 18th-century court took pleasure in all things novel, which included the concept of teasing the eye by recreating objects in other media. Because of the versatility of glass as a material and the multitude of colours that were easily produced, it was often used to simulate other material such as jade, jadeite, coloured hardstones, realgar and amber, among others.

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