Henry Dasson, Paris, Dated 1878
Henry Dasson, Paris, Dated 1878
Henry Dasson, Paris, Dated 1878
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Henry Dasson, Paris, Dated 1878
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Henry Dasson, Paris, Dated 1878

A PAIR OF FRENCH ORMOLU-MOUNTED AMARANTH, MAHOGANY, BOIS SATINÉ, GREEN-STAINED WALNUT AND PARQUETRY SIDE-CABINETS

細節
Henry Dasson, Paris, Dated 1878
A PAIR OF FRENCH ORMOLU-MOUNTED AMARANTH, MAHOGANY, BOIS SATINÉ, GREEN-STAINED WALNUT AND PARQUETRY SIDE-CABINETS
Each with a later vert maurin marble top, above a frieze set with floral garlands and a central frieze drawer inscribed to the side 'a32/609' and 'a32/610' respectively, flanked by pivoted shaped drawers, above a central cupboard door and two side cupboard doors, each inlaid with parquetry trellis enclosing flower heads and fitted with a shelf, on toupie feet, signed to the right side 'henry Dasson, 1878'
39 7/8 in. (101.5 cm.) high; 61¼ in. (155.5 cm.) wide; 21 7/8 in.(55.5 cm.) deep
(2)
來源
Property from a Private European Collection; Christie’s, London, 27 September 2007, lot 104 (£180,500).
注意事項
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

榮譽呈獻

Adam Kulewicz
Adam Kulewicz

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拍品專文

These fine side cabinets, of demi-lune out shape, recall the commodes à l'anglaise supplied to Louis XVI and Marie Antoinette by court ébénistes such as Stöckel and Riesener. The shape is also indebted to a console desserte executed by Jean-Henri Riesener in the early 1780s and today in The Frick Collection, New York (1916.5.72). A single cabinet of this model, unsigned, sold Bonhams, London, 9 December 2010, lot 173 (£54,000). Also compare a demi-lune meuble à hauteur d’appui by Beurdeley sold Christie’s, London, 10 September 2013, lot 26 (£61,875).

These cabinets exemplify Dasson’s finest output. Especially characteristic is the trellis parquetry filled with flower stems and the finely cast and chased ormolu Corinthian capitals. Dated as they are 1878, and it may be that the critic Louis Gonse had in mind this pair of cabinets, when he commented of Dasson's participation in the Paris 1878 Exposition universelle: ‘nouveau venu dans la carrière industrielle Henry Dasson s'est rapidement crée par la perfection de ses oeuvres une très haute situation à laquelle nous applaudissons chaleureusement.’

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