After a model by Jean-Henri Riesener, late 19th century
Of Louis XVI style, circa 1860
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After a model by Jean-Henri Riesener, late 19th century

A FRENCH ORMOLU-MOUNTED AMARANTH, SYCAMORE, HAREWOOD, CITRONNIER, MARQUETRY AND PARQUETRY COMMODE

細節
After a model by Jean-Henri Riesener, late 19th century
A FRENCH ORMOLU-MOUNTED AMARANTH, SYCAMORE, HAREWOOD, CITRONNIER, MARQUETRY AND PARQUETRY COMMODE
The breakfront white marble top above a scrolling acanthus frieze set with three small drawers, over a pair of drawers decorated sans-traverse with trellis parquetry and centred with a floral medallion, on acanthus-sheathed feet, the reverse bearing the spurious stamps, 'Riesener JH 1781' and 'JME'
36 ¾ in. (93.5 cm.) high; 54 in. (137 cm.) wide; 23 ½ in. (59.5 cm.) deep
來源
Anonymous sale; Sotheby’s, London, 12 June 2006, lot 489 (£30,000).
注意事項
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

榮譽呈獻

Adam Kulewicz
Adam Kulewicz

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拍品專文

The present lot is based on a celebrated commode delivered by Jean-Henri Riesener for Marie-Antoinette’s bedroom at the Château de Marly in 1782, and today in the collections of the Château de Versailles (OA 6628). Richly-inlaid and adorned with exquisitely chased mounts, Riesener’s luxurious commode displays many of the maker’s hallmarks and would, no doubt, have pleased the French queen to whom a subsequent commode – which is also relatable to the present lot – was delivered at Saint Cloud shortly thereafter. Today, this second commode is in the collections of the Louvre (OA 12012). In both cases, the intricate trellis pattern parquetry and delicate central medallion display Riesener’s virtuosity as do the splendid naturalistic mounts of scrolling floral garlands and trailing swags. Widely admired in the 18th century, Riesener created some of the Ancien Régime’s most splendid furniture for a prestigious clientele extending across the royal family and highest echelons of the nobility. In the 19th century, his work was highly sought after and splendid reproductions – including the present cabinet – were created by many of the era’s finest craftsmen.

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