After the model by Edmé Jean Gallien, circa 1870
After the model by Edmé Jean Gallien, circa 1870
After the model by Edmé Jean Gallien, circa 1870
After the model by Edmé Jean Gallien, circa 1870
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After the model by Edmé Jean Gallien, circa 1870

A LARGE FRENCH ORMOLU MANTEL CLOCK: 'PENDULE À LA GLOIRE DU ROI'

Details
After the model by Edmé Jean Gallien, circa 1870
A LARGE FRENCH ORMOLU MANTEL CLOCK: 'PENDULE À LA GLOIRE DU ROI'
Surmounted by a wreath-bearing putto, above laurel and acanthus branches, the cylindrical case with white enamel dial signed 'Thiout L'Ainé / A PARIS' with twin-barrel movement, Brocot escapement and rack striking to bell, the movement stamped 'ETIENNE MAXANT / PARIS / BREVETE', '15476' and with a ship, above a rockwork base issuing a sunburst, the naturalistic scrolled rocaille foot mounted with two further putti, one with a portrait medallion of Louis XIV
35 ¼ in. (89.5 cm.) high; 30 in. (76 cm.) wide; 10 in. (25.5 cm.) deep
Provenance
Anonymous sale; Sotheby’s, New York, 15 April 2011, lot 208 ($31,250).
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Lot Essay

With rays bursting forth from a portrait medallion of Louis XIV, this spectacular clock is based on an 18th century model dedicated to the memory of the Sun King. Created in 1754, the original was a collaboration between fondeur Edmé-Jean Gallien, gilder Louis-Francois Gobert and clockmaker Jean Martinot and was initially placed in Louis XV’s bedroom at the Château de Fontainebleau. It was later moved to the Château de Compiègne and then to the Château de Versailles, where it is now on view in the cabinet du Conseil (VMB 8706). The clock face emerges from an elaborate foliate support surmounted by a winged putto emblematic of fame and anchored by two additional putti at the base: the first emblematic of the génie of Mars holding the King’s portrait, the second of France leaning forward in admiration.

The model was widely admired in the 19th century, and a version slightly larger than the present clock by Charles Crozatier and Henri Picard is displayed in the grand salon of the Napoleon III apartments at the Louvre, having formerly been on view at Versailles, the Palais des Tuileries and the Préfecture at Strasbourg (OA 5132). The model appears with some frequency at auction including twice in 2005: Christie’s, New York, 20 April 2005, lot 311 (price realized: $48,000) and Property from the Estate of Lillian Rojtman Berkman, Sotheby’s, New York, 28 January 2005, lot 896 (price realized: $38,400).

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