A PAIR OF GEORGE II GILTWOOD TWIN-LIGHT WALL APPLIQUES
THE PROPERTY OF A GENTLEMAN 
A PAIR OF GEORGE II GILTWOOD TWIN-LIGHT WALL APPLIQUES

MID-18TH CENTURY

细节
A PAIR OF GEORGE II GILTWOOD TWIN-LIGHT WALL APPLIQUES
MID-18TH CENTURY
Each with a pierced rococo frame of palm and acanthus foliage, C-scrolls and cascading water, centred by a pierced angular column and with a swan with wings spread, issuing scrolled branches with lapetted platforms and brass nozzles, inscribed to reverse '18/10/49', fitted for electricity, restorations and refreshment to gilding
32 x 16 in. (81 x 40 cm.)
来源
By repute Percival Griffiths (handwritten in the auctioneer's book)
Mrs. Muriel Windsor Barnett, sold Christie's, London, 16 June 1988, lot 116.

荣誉呈献

Carys Bingham
Carys Bingham

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拍品专文

This pair of wall appliques in the 'French’ taste is modelled on a design for a girandole by Thomas Johnson, published in his One Hundred & Fifty New Designs (1761), plate 34, which in turn was probably inspired by similar rococo models by Lock & Copeland in their A New Book of Ornaments (1752). Many of the significant designers and carvers in wood, Lock, Johnson, Mayhew & Ince and Luke Lightfoot drew on engravings after Francis Barlow’s drawings of animals and birds first issued between 1658 and 1670, and particularly his illustrations for Aesop’s Fables, which they included within the rococo composition of a mirror frame, girandole or chimneypiece. Thus the swan motif of these mirrors is almost certainly derived from Barlow’s 'Two Swans’ issued in the mid-18th century (H. Hayward, 'Engraved Ornamental Designs after Francis Barlow’, Furniture History, vol. 11, 1975, fig. 106).

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