A LARGE PAIR OF BERLIN (K.P.M.) PORCELAIN RECTANGULAR PLAQUES, DIE LIEBLINGE AND MANUELA
PROPERTY FROM A PHILADELPHIA ESTATE (LOT 258)
A LARGE PAIR OF BERLIN (K.P.M.) PORCELAIN RECTANGULAR PLAQUES, DIE LIEBLINGE AND MANUELA

LATE 19TH/20TH CENTURY, BOTH WITH IMPRESSED MONOGRAM AND SCEPTRE MARKS, H AND ./. CYPHER, INCISED 18 ½ - 11, SIGNED F. ZAPF, DRESDEN

Details
A LARGE PAIR OF BERLIN (K.P.M.) PORCELAIN RECTANGULAR PLAQUES, DIE LIEBLINGE AND MANUELA
LATE 19TH/20TH CENTURY, BOTH WITH IMPRESSED MONOGRAM AND SCEPTRE MARKS, H AND ./. CYPHER, INCISED 18 ½ - 11, SIGNED F. ZAPF, DRESDEN
Each finely painted after Kiesel with a beauty either seated and admiring a pair of cockatoos or standing and reaching out to let one perch on her hand
19 in. (48.2 cm.) high, 11 3/8 in. (28.8 cm.) wide, excluding the giltwood frames

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Elizabeth Brauer
Elizabeth Brauer

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Lot Essay

Conrad Kiesel (1846-1921) was born in Düsseldorf. In Berlin, he received formal training as a sculptor under Fritz Schaper. His subsequent career was spilt between Berlin and Munich, establishing a formidable reputation as both sculptor and painter. As a member of the Berlin Academy from 1892, he was noted for his portraits and genre pieces, the latter often drawing on the perceived exoticism of Southern and Eastern cultures. Also see R. Röntgen, Meissen Porcelain, Atglen, PA, 1996, p. 322 for a listing of Independent Porcelain Painting Shops and Porcelain Painters in Dresden between 1855-1944 including Zapf.

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