ILIAZD [i.e. Il'ia ZDANEVICH] (1894-1975). Lidantiu faram. [Lidantiu as a Beacon.] Paris: Éditions 41°, 1923. 4° (195 x 140mm). Typography by Iliazd. Without the printed leaflet sometimes found laid into some copies. (Edges lightly yellowed.) Original grey-brown wrappers with printed design and collage of onlaid gold and silver paper, cork and synthetic material by Naum Granovskii (spine neatly rebacked, small chip to cork label). Provenance: inscribed, in Russian: ‘Iliazd friend and compatriot. 6.vii.24. Paris’.
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ILIAZD [i.e. Il'ia ZDANEVICH] (1894-1975). Lidantiu faram. [Lidantiu as a Beacon.] Paris: Éditions 41°, 1923. 4° (195 x 140mm). Typography by Iliazd. Without the printed leaflet sometimes found laid into some copies. (Edges lightly yellowed.) Original grey-brown wrappers with printed design and collage of onlaid gold and silver paper, cork and synthetic material by Naum Granovskii (spine neatly rebacked, small chip to cork label). Provenance: inscribed, in Russian: ‘Iliazd friend and compatriot. 6.vii.24. Paris’.

細節
ILIAZD [i.e. Il'ia ZDANEVICH] (1894-1975). Lidantiu faram. [Lidantiu as a Beacon.] Paris: Éditions 41°, 1923. 4° (195 x 140mm). Typography by Iliazd. Without the printed leaflet sometimes found laid into some copies. (Edges lightly yellowed.) Original grey-brown wrappers with printed design and collage of onlaid gold and silver paper, cork and synthetic material by Naum Granovskii (spine neatly rebacked, small chip to cork label). Provenance: inscribed, in Russian: ‘Iliazd friend and compatriot. 6.vii.24. Paris’.

FIRST EDITION OF ILIAZD’S ‘MASTERPIECE OF THE RUSSIAN POETIC AVANT-GARDE' (Johnson). Lidantiu faram, with its remarkable typography, and the stunning collage cover by Granovskii, marks ‘a moment of synthesis and a culminating point in his formal experiments' (Isselbacher, p.37). Number 480 of 500 copies. Isselbacher, Iliazd and the Illustrated Book, p.37; Johnson, Artists' Books in the Modern Era 37; MoMA, The Russian Avant-Garde Book 458, 459; Stein, Libri cubisti 30.
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