A SILVER-GILT AND NIELLO BRATINA
PROPERTY FROM THE ROYAL HOUSE OF SAXE-COBURG-GOTHA
A SILVER-GILT AND NIELLO BRATINA

MARKED OVCHINNIKOV WITH THE IMPERIAL WARRANT, OVERSTRIKING THE MARK OF VASSILI SEMENOV, MOSCOW, 1874

Details
A SILVER-GILT AND NIELLO BRATINA
MARKED OVCHINNIKOV WITH THE IMPERIAL WARRANT, OVERSTRIKING THE MARK OF VASSILI SEMENOV, MOSCOW, 1874
Of bulbous form, on a slightly tapering foot, the body overall nielloed with scrolling foliage on stippled ground and engraved with vine scrolls on nielloed ground, with four vacant circular reserves, the slightly everted rim nielloed with inscription in Russian ‘[This] bratina [belongs to] Boyar Nikita Ivanovich Romanov drink from it for health’, the ladle with a shaped stem, similarly decorated, the tray nielloed with inscription in Russian ‘Our grandparents lived a simple life and lived for hundreds of years’, marked throughout; in the original fitted leather and velvet-lined box
The bratina 6 in. (15.5 cm.) high, the tray 6½ in. (16.5 cm.) diameter, the ladle 10 in. (25.5 cm.) long
41.38 oz. (1,287 gr.) gross

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Aleksandra Babenko
Aleksandra Babenko

Lot Essay

The present lot was produced in the late nineteenth century emulating the style of seventeenth-century silver objects, which explains the inscription related to Nikita Ivanovich Romanov (1607-1654), a cousin of Tsar Mikhail Feodorovich (1596-1645).

The nineteenth century saw a rebirth of interest in Russia’s artistic heritage. This new phenomenon, based on the Golden Age of Russian applied art of the seventeenth century, was known as the Pan-Russian style. Jewellers and silversmiths produced works in a historicist style, which became favoured by the traditionalistic Boyar families and wealthy merchants of Moscow. The popularity of this style reached its peak during the festivities celebrating the tercentenary of Romanov rule in 1913.

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