Hendrick Goltzius (Mühlbracht 1558-1617 Haarlem)
Hendrick Goltzius (Mühlbracht 1558-1617 Haarlem)

Mars and Venus (recto); Two female nudes, with Cupid and a vase (verso)

Details
Hendrick Goltzius (Mühlbracht 1558-1617 Haarlem)
Mars and Venus (recto); Two female nudes, with Cupid and a vase (verso)
with number '111'
red, black and white chalk, on grey paper, black ink framing lines
10½ x 7 7/8 in. (26.8 x 19.7 cm.)
Literature
E.J.K. Reznicek, Die Zeichnungen von Hendrick Goltzius, 1961, p. 135, no. 421, pl. 404.
K.G. Boon, The Netherlandish and German Drawings of the XVth and XVIth Centuries of the Frits Lugt Collection, Paris, 1992, p. 203, under no. 110 (as circa 1603).
S. Alsteens, in Raphael to Renoir: Drawings from the Collection of Jean Bonna, exhib. cat., New York, Metropolitan Museum of Art, 2009, under no. 44, fig. 36.
Exhibited
Rotterdam, Museum Boymans Van Beuningen, and Haarlem, Teylers Museum, Hendrik Goltzius als tekenaar, 1958, no. 78.
Rotterdam, Museum Boijmans Van Beuningen, Paris, Fondation Custodia, and Brussels, Bibliothèque Albert 1er, Le Cabinet d'un Amateur: Dessins flamands et hollandais des XVIe et XVIIe siècles d'une collection privée d'Amsterdam, 1976-77, no. 61, pl. 37 (catalogue by J. Giltaij).

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Benjamin Peronnet
Benjamin Peronnet

Lot Essay

The loosely spontaneous handling of the chalk, and the brisk pentimenti, can be compared to the technique of the Sketch of the head of a woman wearing a plumed hat in the Fondation Custodia, Paris (Boon, op. cit.). That sheet, like the present drawing, should be regarded as an exploratory preparatory study, in which the artist sought to fix the positions of legs, arms and heads, reworking even as he drew and constantly seeking to establish the form. Boon suggests a date for the present work of around 1603.

Traditionally described as a Loving Couple, the drawing almost certainly treats a mythological subject. It may represent Mars and Venus or, given the fact that the male figure appears to be holding a tazza, it may show Bacchus and Ariadne. It has not yet been possible to relate the composition to any finished work by the artist.

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