Attributed to Jan Saenredam (Zaandam 1565-1607 Assendelft)
Attributed to Jan Saenredam (Zaandam 1565-1607 Assendelft)

A double-sided sheet of studies of heads

Details
Attributed to Jan Saenredam (Zaandam 1565-1607 Assendelft)
A double-sided sheet of studies of heads
black and red chalk, pen and brown ink, brown ink framing lines
7¼ x 5¼ in. (18.5 x 13.5 cm.)
Provenance
Antoine-Joseph Dezallier d'Argenville (1680-1765) (L. 2951), with his paraphs and numbers '2275' and '2276' and his attribution 'Saenredam'; Rémy, Paris, 18-28 January 1779, part of lot 308.
Literature
Commemorative Catalogue of the Exhibition of Dutch Art 1450-1900, Oxford and London, 1930, p. 184.
E.J.K. Reznicek, Die Zeichnungen von Hendrick Goltzius, Utrecht, 1961, p. 175, note 87.
H. van Hall, Portretten van Nederlandse beeldende kunstenaars, Amsterdam, 1963, p. 287.
J. Labbé and L. Bicart-Sée, La collection des dessins d'Antoine-Joseph Dezallier d'Argenville, Paris, 1996, p. 273, under nos. 2275-76.
Exhibited
London, Royal Academy, Exhibition of Dutch Art 1450-1900, 1929, no. 530.
Brussels, Palais des Beaux-Arts, Dessins hollandais de Jérôme Bosch à Rembrandt, 1937-38, no. 35, pl. XXIV (catalogue by F. Schmidt-Degener).
Utrecht, Centraal Museum, Pieter Jansz. Saenredam, 1961, no. 247, pl. 236.
Paris, Fondation Custodia, Saenredam, 1970, no. 62, pl. 55.
Rotterdam, Museum Boijmans Van Beuningen, Paris, Fondation Custodia, and Brussels, Bibliothèque Albert 1er, Le Cabinet d'un Amateur: Dessins flamands et hollandais des XVIe et XVIIe siècles d'une collection privée d'Amsterdam, 1976-77, no. 113, pl. 16 (as Jan Saenredam; catalogue by J. Giltaij).

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Benjamin Peronnet
Benjamin Peronnet

Lot Essay

Father of Pieter (1597-1665), the great painter of churches, Jan Saenredam was above all an engraver who collaborated frequently with Hendrick Goltzius (1558-1617) and Karel van Mander (1548-1606) (see lot 115). Only a few drawings by him are known. The head at the bottom left on the recto may be a self-portrait and it has been suggested that the two heads of a boy, one in red chalk, one in pen and brown ink, may represent his son Pieter aged about ten years old, an hypothesis which would date this drawing to circa 1607.

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