A PAIR OF LOUIS XV ORMOLU, CHINESE AND EUROPEAN PORCELAIN TWO-LIGHT CANDELABRA
A PAIR OF LOUIS XV ORMOLU, CHINESE AND EUROPEAN PORCELAIN TWO-LIGHT CANDELABRA

CIRCA 1750, THE CHINESE PORCELAIN 18TH CENTURY, THE FLOWERS 18TH CENTURY AND LATER

細節
A PAIR OF LOUIS XV ORMOLU, CHINESE AND EUROPEAN PORCELAIN TWO-LIGHT CANDELABRA
CIRCA 1750, THE CHINESE PORCELAIN 18TH CENTURY, THE FLOWERS 18TH CENTURY AND LATER
Each in the form of a seated Buddha on a pierced acanthus scroll base issuing two branches with ribbed nozzles, and a further central branch, some flowerheads later
9 in. (23 cm.) high; 8 ½ in. (21.5 cm.) wide, approx., and similar
來源
Dr. Giuseppe Rossi, Turin; sold Sotheby's, London, 10-12 March 1999, lot 798.

榮譽呈獻

Amelia Walker
Amelia Walker

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拍品專文

The fashion for transforming exotic and expensive Chinese porcelain into true 'objets de luxe' with the addition of rich gilt-bronze mounts reached its zenith by the mid-18th century through the activities of marchands-mercier such as Lazare Duvaux. Several small candelabra of this type, incorporating porcelain figures glazed in turquoise as well as other colours, were sold by Duvaux. His Livre-Journal for 3 July 1755 records: 'S.M. le Roy: Envoyé à Compiègne deux paires de petites girandoles à deux branches, dorées d’or moulu, sur des magots bleu-céleste, avec des fleurs de Vincennes même couleur, 528 1'. In 1753 Duvaux billed Madame de Pompadour 192 livres for 'La monture en cuivre doré d’ or moulu, à feuillages & terraces, de deux girandoles sur des magots gres’, giving some indication of the rising cost and popularity of mounting such precious porcelain figures. Compositions also included European porcelain flowers, as with the pair of candelabra sold by Duvaux to M. de Fontaine, fermier-général, on 13 March 1756: ‘Une paire de girandoles à terrasses et branchages dorés d’or moulu sur des magots anciens bleu-céleste garnis de fleurs de Vincennes assorties, 264 l’.

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