A GEORGE II GILTWOOD STRIKING WALL CLOCK
A GEORGE II GILTWOOD STRIKING WALL CLOCK

JAMES SCHOLEFILD, LONDON, MID-18TH CENTURY

Details
A GEORGE II GILTWOOD STRIKING WALL CLOCK
JAMES SCHOLEFILD, LONDON, MID-18TH CENTURY
CASE: the circular dial within a pierced rocaille, C-scroll and foliate trail frame surmounted by a displayed eagle, the interior carcass with paper label numbered ‘12627’, re-gilt; DIAL: silvered-brass engraved 10 inch dial with mock-pendulum aperture and date square, pierced blued steel hands and signed ‘James Scholefild London’; MOVEMENT: the twin-chain fusee movement with verge-escapement and rack-striking to bell
34 in. (86.4 cm.) high; 22 in. (56 cm.) wide; 6 in. (50.2 cm.) deep

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Amelia Walker
Amelia Walker

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Lot Essay

James Scholefi(e)ld working Strand, London circa 1747-1760.
Related 'Wall Clock' patterns with scrolled pediments in the French 'picturesque' manner featured in Lock and Copland's New Book of Ornaments, 1752 (pl. 12) while Thomas Johnson's Collection of Designs, 1758 illustrated related bracket-clock patterns. The early 20th century collection formed by Mr. E.L. Rice contained a mural or 'cartel' clock of the present pattern, with a movement by James Scholefild (P. Macquoid and R. Edwards, The Dictionary of English Furniture, London, 1924, vol. II, p. 117, fig. 49).

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