拍品專文
The exquisite elegance of the present bodhisattvas, detailed with intricate folds in the soft flowing robes and scarves, is reminiscent of earlier styles of painted wood sculptures carved in the Tang, Song and Jin dynasties. The facial features of these figures, however, are highly characteristic of sculptures from the 17th-18th centuries, defined by oblique eyes, slender noses and full rounded cheeks. Compare the present lot to a painted stucco figure of a bodhisattva in the Shuangling Temple, Shengping, Shanxi province, dated to the Ming dynasty, illustrated in Zhongguo meishu quanji; diaosu bian 6; Yuan Ming Qing diaosu, Beijing, 1988, p. 66, pl. 70.