A LOUIS XV ORMOLU-MOUNTED BLACK AND GILT VERNIS MARTIN COMMODE
A LOUIS XV ORMOLU-MOUNTED BLACK AND GILT VERNIS MARTIN COMMODE
A LOUIS XV ORMOLU-MOUNTED BLACK AND GILT VERNIS MARTIN COMMODE
A LOUIS XV ORMOLU-MOUNTED BLACK AND GILT VERNIS MARTIN COMMODE
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This Lot is transferred to an offsite warehouse ‘C… Read more
A LOUIS XV ORMOLU-MOUNTED BLACK AND GILT VERNIS MARTIN COMMODE

CIRCA 1740, IN THE MANNER OF BERNARD II VAN RISEN BURGH

Details
A LOUIS XV ORMOLU-MOUNTED BLACK AND GILT VERNIS MARTIN COMMODE
CIRCA 1740, IN THE MANNER OF BERNARD II VAN RISEN BURGH
The serpentine moulded Brêche d'Alep marble top, above two drawers sans traverse, decorated with figures in landscapes, on cabriole legs headed by cabochon, rocaille and foliate chutes, terminating in pierced scrolled sabots, bearing spurious stamps 'B.V.R.B.' and 'JME'
33 ½ in. (85 cm.) high; 48 ¾ in. (124 cm.) wide; 24 in. (61 cm.) deep
Provenance
Antiquités Masi, Bealieu-sur-mer, from whom purchased by Principessa Ismene Chigi Della Rovere in 1975.
Special notice
This Lot is transferred to an offsite warehouse ‘Cadogan Tate’ at the close of business on the day of the sale. We will give you 2 weeks free storage from the date of the sale and after that point charges apply. All other lots will be held at Christie''s South Kensington until 5pm the fifth Friday after the sale. It will then be transferred to Cadogan Tate.

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Lot Essay

This elegant Louis XV commode dates from circa 1740 and illustrates both the
European passion for using materials from the Far East and the Parisian taste of
transforming such materials into the most luxurious pieces of the time. This fashion
of mounting lacquer onto furniture was promoted by the marchands-mercier of Paris
in the 1740s and 1750s, such as Lazare Duvaux and Thomas-Joachim Hébert. These
marchands-mercier held a monopoly on the import of such precious goods from
the Far East as lacquer and porcelain. This commode, decorated with Vernis Martin
panels, is a demonstration of the Paris fashion for creating decoration in imitation of
Oriental lacquer, due to the increasingly high cost of imports from the Far East. Vernis
Martin was created by the Martin brothers, Guillaume and Etienne-Simon, who were
instrumental in developing the technique.

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