A PAIR OF BRONZE PUTTI BLOWING TRUMPETS
A PAIR OF BRONZE PUTTI BLOWING TRUMPETS

WORKSHOP OF NICOLÒ ROCCATAGLIATA (ACTIVE 1593-1636), VENETIAN OR PADUAN, EARLY 17TH CENTURY

细节
A PAIR OF BRONZE PUTTI BLOWING TRUMPETS
WORKSHOP OF NICOLÒ ROCCATAGLIATA (ACTIVE 1593-1636), VENETIAN OR PADUAN, EARLY 17TH CENTURY
Each standing on a later outswept ebonized wood socle
12¼ in. (31 cm.) high; 17½ in. (44.5 cm.) high, overall
来源
Julia A. Berwind, The Elms, Newport, Rhode Island; Parke-Bernet Galleries, New York, 27-28 June 1962, lot 194.
出版
C. Avery, 'The Alexis Gregory Collection,' Bulletin, Harvard University Art Museums, Fall 1995, p. 45, nos. 17-18.
M. Schwartz, ed., European Sculpture from the Abbott Guggenheim Collection, New York, 2008, pp. 98-99, no. 44.

COMPARATIVE LITTERATURE:
L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, p. 618, figs. 689-690.
V. Krahn, Bronzetti Veneziani – Die venezianschen Kleinbronzen der Renaissance aus dem Bode –Museum Berlin, 2003, no. 68.
展览
San Francisco, The Fine Arts Museums of San Francisco, Renaissance and Baroque Bronzes from the Abbott Guggenheim Collection, 3 Mar. – 11 Sep. 1988, L. Camins ed., no. 18, pp. 60-61.

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拍品专文

Born in Genoa, Nicolò Roccatagliata was apprenticed to the goldsmith Cesare Groppo. He moved to Venice in 1593, but returned to Genoa in 1598, leaving numerous large scale models in the foundry workshops in Venice. As Avery describes, the style and technique of rapid modeling of Roccatagliata was inspired by Jacopo Sansovino, and the work of his major contemporary Vittoria. A vast range of bronze statuettes from the Venetian school, often including putti, is grouped under Roccatagliata’s name without substantiating evidence (loc. cit.). The animated curls, plump cheeks and theatrical poses of the present pair of winged putti blowing trumpets are the unmistakable product of Roccatagliata’s workshop in the early 17th century. They compare closely to two similar pairs of bronzes, one in the Estense Collection, Vienna (Planiscig, loc. cit) and another sold Christie’s, London, 6 July 2006, lot 24. The treatment of the hair, the modeling, the chiseling and the complete trumpets make this pair a particularly fine example.

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