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Forellenbach Miniatürartig (Trout Brook Miniature-like)
細節
Paul Klee (1879-1940)
Forellenbach Miniatürartig (Trout Brook Miniature-like)
signed 'Klee' (lower right)
watercolour and pen and ink on paper attached to the remnants of the artist’s mount
4 1/2 x 9 1/2 in. (11.5 x 24 cm.)
Executed in 1916
Forellenbach Miniatürartig (Trout Brook Miniature-like)
signed 'Klee' (lower right)
watercolour and pen and ink on paper attached to the remnants of the artist’s mount
4 1/2 x 9 1/2 in. (11.5 x 24 cm.)
Executed in 1916
來源
Dr. Hermann Probst.
Branka Musulin; her sale, Stuttgart, Kunstkabinett, 18-20 October 1950, lot 2182.
Galerie d'Art Moderne, Basel.
The Lefevre Gallery (Alex Reid & Lefevre, Ltd.), London.
Herbert Einstein, London.
Lady Nika Hulton, London, by 1955.
Galerie Beyeler, Basel.
Acquired from the above by the present owner.
Branka Musulin; her sale, Stuttgart, Kunstkabinett, 18-20 October 1950, lot 2182.
Galerie d'Art Moderne, Basel.
The Lefevre Gallery (Alex Reid & Lefevre, Ltd.), London.
Herbert Einstein, London.
Lady Nika Hulton, London, by 1955.
Galerie Beyeler, Basel.
Acquired from the above by the present owner.
出版
M. Brion, Klee, Paris, 1955 (illustrated n.p.)
O. K. Werckmeister, Versuche über Paul Klee, Frankfurt, 1981 (illustrated p. 48).
W. Kersten, Paul Klee, "Zerstörung, der Konstruktion zuliebe?", Marburg, 1987, p. 50.
S. L. Henry, 'Paul Klee's Pictorial Mechanics from Physics to the Picture Plane', in Pantheon, vol. 47, 1989, p. 158.
O. K. Werckmeister, The Making of Paul Klee's Career 1914-1920, London, 1989 (illustrated p. 98).
The Paul Klee Foundation (ed.), Paul Klee, Catalogue raisonné, vol. 2, 1913-1918, Bern, 2000, no. 1668 (illustrated p. 363).
O. K. Werckmeister, Versuche über Paul Klee, Frankfurt, 1981 (illustrated p. 48).
W. Kersten, Paul Klee, "Zerstörung, der Konstruktion zuliebe?", Marburg, 1987, p. 50.
S. L. Henry, 'Paul Klee's Pictorial Mechanics from Physics to the Picture Plane', in Pantheon, vol. 47, 1989, p. 158.
O. K. Werckmeister, The Making of Paul Klee's Career 1914-1920, London, 1989 (illustrated p. 98).
The Paul Klee Foundation (ed.), Paul Klee, Catalogue raisonné, vol. 2, 1913-1918, Bern, 2000, no. 1668 (illustrated p. 363).
展覽
Munich, Neue Münchner Secession, 1917, no. 99.
Munich, Galerie Neue Kunst Hans Goltz, Paul Klee, May - June 1920, no. 120.
London, The Tate Gallery, Works by Paul Klee from the Collection of Mrs Edward Hulton, May - June 1955, no. 10; this exhibition later travelled to Wuppertal, Kunst- und Museumsverein, Rotterdam, Museum Boijmans van Beuningen, Frankfurt, Kunstverein, Munich, Städtische Galerie im Lenbachhaus, and Dortmund, Museum am Ostwall.
Munich, Haus der Kunst, Paul Klee, October 1970 - January 1971, no. 24 (illustrated).
Munich, Galerie Neue Kunst Hans Goltz, Paul Klee, May - June 1920, no. 120.
London, The Tate Gallery, Works by Paul Klee from the Collection of Mrs Edward Hulton, May - June 1955, no. 10; this exhibition later travelled to Wuppertal, Kunst- und Museumsverein, Rotterdam, Museum Boijmans van Beuningen, Frankfurt, Kunstverein, Munich, Städtische Galerie im Lenbachhaus, and Dortmund, Museum am Ostwall.
Munich, Haus der Kunst, Paul Klee, October 1970 - January 1971, no. 24 (illustrated).
注意事項
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
榮譽呈獻
Annie Wallington