A SUPERB LARGE BLUE AND WHITE BRUSH POT
明崇禎(約1640年) 青花三國演義人物故事圖筆筒

CHONGZHEN PERIOD, CIRCA 1640

細節
明崇禎(約1640年) 青花三國演義人物故事圖筆筒
來源
Spink & Son, Ltd., London, 1984.
Collection of Julia and John Curtis.
出版
Julia B. Curtis, Chinese Porcelains of the Seventeenth Century: Landscapes, Scholars' Motifs and Narratives, New York, 1995, pp. 144-145, no. 61.
Julia B. Curtis, "La porcelaine chinoise de Transition," La porcelaine chinoise de Transition: et ses influences sur la céramique japonaise, proche-orientale et européenne, Geneva, 1998, no. 3.
展覽
China Institute Gallery, New York, Chinese Porcelains of the Seventeenth Century: Landscapes, Scholars Motifs and Narratives, 22 April – 5 August 1995.
Asia Society, New York, The Artful Recluse: Painting, Poetry, and Politics in 17th-Century China, 6 March - 2 June 2013 (not illustrated).

榮譽呈獻

Margaret Gristina
Margaret Gristina

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拍品專文

The painting of the scene on this brush pot is particularly fine and is taken from the historical novel San Guo Zhi Yan Yi (The Romance of the Three Kingdoms), attributed to Luo Guanzhong, and first published in the 14th century. It purports to chronicle events from AD 169 to 280, which was a particularly turbulent era in China’s history, encompassing the end of the Han dynasty and the Three Kingdoms period. It is regarded as one of the Four Great Classical Novels of Chinese literature, and is a mammoth work of some 800,000 characters, with a cast of almost 1,000, mostly historical, dramatis personae in its 120 chapters.

The episode that appears on this brush pot depicts Emperor Xian (r. 189-220), who is being held as a virtual hostage by the warlord Cao Cao, and is shown handing over a belt to the loyal Dong Cheng in the presence of Cao Cao’s spies. Inside the belt is hidden an imperial edict written in blood. Later in the story, Dong Cheng enters into a conspiracy with Liu Bei, Zhong Ji and Wang Fu to assassinate Cao.

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