AN ITALIAN MARBLE GROUP OF VEILED CUPID, ON PEDESTAL
AN ITALIAN MARBLE GROUP OF VEILED CUPID, ON PEDESTAL
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AN ITALIAN MARBLE GROUP OF VEILED CUPID, ON PEDESTAL

BY ORAZIO ANDREONI, ROME, DATED 1886

细节
AN ITALIAN MARBLE GROUP OF VEILED CUPID, ON PEDESTAL
BY ORAZIO ANDREONI, ROME, DATED 1886
The reverse signed 'O. Andreoni. / Roma 1886.', on green granite pedestal
The marble: 43 ½ in. (110.5 cm.) high
The pedestal: 36 in. (92 cm.) high
注意事项
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Adam Kulewicz
Adam Kulewicz

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拍品专文

Sculpting draperies and veils can be seen as proof of a sculptor’s technical mastery; and a few Italian artists have mastered this skill. Two of the most captivating examples are Giuseppe Sanmartino’s Veiled Christ (1753), which lies at the centre of the Sansevero Chapel in Naples and Antonio Corrandini’s bust of a Veiled Woman (1717-1725) in the Museo del Settecento Veneziano in Venice. Draped figures became popular for foreign visitors, one famous example being Raffaelle Monti’s Veiled Vestal Virgin (1846-47) which was commissioned by the 6th Duke of Devonshire and is currently in the collection of Chatsworth House.
The present marble of a Veiled Cupid by Orazio Andreoni displays distinct virtuosity in the rendering of the drapery, which appears so light and delicate while providing the sculpture with an impression of movement. Andreoni enjoyed an international reputation during his lifetime, and sent several works on exhibitions abroad including Glasgow (1888) and Berlin (1892).

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