Louay Kayyali (Syrian, 1934-1978)
Lots are subject to 5% import Duty on the importat… Read more PROPERTY FROM A LEBANESE PRIVATE COLLECTION
Louay Kayyali (Syrian, 1934-1978)

Akwakh Al Sayyadin (Fishermen's Huts)

Details
Louay Kayyali (Syrian, 1934-1978)
Akwakh Al Sayyadin (Fishermen's Huts)
signed, titled and dated in Arabic (on the reverse); signed and dated 'Louay Kayali 1960' (on the stretcher)
oil on canvas
23 5/8 x 27 5/8in. (60 x 70cm.)
Painted in 1960
Provenance
Acquired directly from the artist by the present owner's parents and thence by descent.
Special notice
Lots are subject to 5% import Duty on the importation value (low estimate) levied at the time of collection shipment within UAE. For UAE buyers, please note that duty is paid at origin (Dubai) and not in the importing country. As such, duty paid in Dubai is treated as final duty payment. It is the buyer's responsibility to ascertain and pay all taxes due.
Further details
This work will be included in the forthcoming Louay Kayyali Catalogue raisonné currently being prepared by Hala Khayat.

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Bibi Naz Zavieh
Bibi Naz Zavieh

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Lot Essay

Syrian painter Louay Kayyali's early landscapes and architectural subjects were greatly inspired by his blissful days in Italy, principally Rome and Venice.
In his unique Fishermen's Huts, the artist successfully captures the peaceful, isolated nature of the fishermen's trade, an occupation he deeply respected which became a recurring theme in his body of work. Employing striking soft shades of light blue and white, Kayyali emphasises a sense of tranquillity that also captures the glittering moments of changing light.

The two modest huts are hovering above the calm waters, redolent of floating boats and by using a centrally-focused composition with the hut's symmetrical, distinct lines, the artist uses the perspective lines vertically and sideways to structure and balance the composition. This stunning work is filled with a sense of magical realism that had already become essential to the artist's style. The dominant blue of the palette recalls the light of the Venetian dawns that Kayyali had experienced first-hand revealing the poetic aspect of the artist's work.

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