细节
水墨 / 钢笔纸本 册页十开
1. 题识:造像之灋,有白描,有浑染。描以立骨,染为血肉,神骨色泽备于笔墨
2. 题识:石鲁写
3. 题识:石工。石鲁写于延川
4. 题识:以纹取质,以型取势。势为结构之基,质为生理之徵。扶质立势以得法,笔 墨出于法,归于质,动而神之。石鲁记
签条:石鲁速写册。松瀑庐珍藏
签条藏印:安思远藏
出版
出版:《艺术为美:安思远珍藏石鲁作品展》展览图录,纽约佳士得,2011年,第78-85页。
展览
展览:纽约佳士得,“艺术为美:安思远珍藏石鲁作品展”,2011年3月15-19日。
注意事项
This lot is offered without reserve.

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Gemma Sudlow
Gemma Sudlow

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拍品专文

The portrait of a bald workman is inscribed with a discussion of the techniques of portrait painting, which include line drawing (baimiao) and wash; line drawing provides the bones and wash the flesh and blood. On his depiction of a hatted workman, Shi Lu stated his belief that a successful portrait should evoke a sense of tactile appeal based on the surface texture of the subject, as well as presenting a sense of dynamic beauty based on the subject's gesture. By doing so, the texture and gesture could produce an impressive portrait. Therefore, while the texture conveys the physiological characteristics of the subject, the subject's gesture is the foundation for a painting's structure. On the portrait of the stonemason, Shi Lu stated that he painted the picture in Yanchuan, near Yan'an.

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