A RARE SILVER FIGURE OF PALDEN LHAMO
A RARE SILVER FIGURE OF PALDEN LHAMO

TIBET, 17TH CENTURY

Details
A RARE SILVER FIGURE OF PALDEN LHAMO
TIBET, 17TH CENTURY
Seated sideways on a flayed skin atop a recumbent mule, over an oval base incised with wave patterns, the fierce four-armed goddess holds a raised sword, skull bowl and spear, wearing a patterned skirt with an elephant skin draped around her back and a garland of severed heads over her shoulders, adorned in jewelry and her feet bound with a chain, her wrathful face with bulging eyes centered with a third eye and flaming brows, her wrathful fangs gripping a prone figure, her red braided hair fastened with a serpent and topped with a jewel and skull diadem, a diminutive figure of Dakini Makaravaktra standing below left
6 in. (15 cm.) high
Provenance
Christian Humann, New York, then Pan-Asian Collection by 1977
Literature
G. Béguin, Dieux et démons de l'Himâlaya, 1977, cat. no. 201, p. 183, ill. p. 182.
Himalayan Art Resource (himalayanart.org), item no. 23556
Exhibited
The Art of Tibet, Asia House Gallery, New York, 1969
Dieux et démons de l'Himalaya:
25 March - 27 June 1977, Paris, Grand Palais
5 August - 16 October 1977, Haus der Kunst, Munich

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Leiko Coyle
Leiko Coyle

Lot Essay

Palden Lhamo ("Glorious Goddess") is one of the most important female protectors in Tibetan Buddhism. This particular depiction from the Sakya school depicts the goddess with bound feet seated atop a recumbent mule on a sea of blood. She holds a raised sword, spear and skull cup overflowing with gruesome contents. An elephant skin is draped across her back and a garland of freshly severed heads hangs from her shoulders. Adding to her wrathful appearance is a jewel and skull diadem, a wild-eyed gaze, and a corpse hanging from her fanged mouth. A diminutive figure of the crocodile-headed Dakini Makaravaktra stands below.

Considered a precious metal, Tibetan sculpture in silver are extremely rare. As such, this work must have been a special commission. Compare with a silver figure of Mahapratisara in the Nyingjei Lam Collection; see D. Weldon and J.C. Singer, The Sculptural Heritage of Tibet, 1999, pl.29, p.124. For a painting of the same subject, see lot 4032.

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