AN EGYPTIAN SERPENTINE SHABTI
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AN EGYPTIAN SERPENTINE SHABTI

MIDDLE KINGDOM, 11TH-12TH DYNASTY, CIRCA 2055-1773 B.C.

細節
AN EGYPTIAN SERPENTINE SHABTI
MIDDLE KINGDOM, 11TH-12TH DYNASTY, CIRCA 2055-1773 B.C.
Depicted mummiform and wearing a bag wig and a broad necklace, well-modelled facial features with high cheekbones, pointed chin, lidded almond-shaped eyes and prominent ears, with three horizontal bands around the body representing bandages, traces of red pigment
8 ¾ in. (22.2 cm.) high
來源
Collection Hirsch; Antiquités, Hotel Drouot, Paris, 30 June-2 July 1921, lot 84.
Alton Edward Mills (1882-1970), Switzerland; and thence by descent to the present owner.
注意事項
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

榮譽呈獻

Georgiana Aitken
Georgiana Aitken

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拍品專文

The origin of shabtis possibly lies in the growth of the cult of the mummiform god Osiris. Once mummified, the deceased became assimilated with the funerary god and his body transformed into the Sah, preserved for the eternity of the afterlife. First made in wood and wax, shabtis were placed in a miniature coffin, wrapped in linen and anointed with preservative oils, and were destined to take the place of the mummy if it was destroyed. In the 12th Dynasty, when well-carved stone figures like the present lot appeared, the notion developed that the shabti could be called upon by the deceased in the afterlife to perform any task (cf. W.C. Hayes, The Scepter of Egypt, vol. I, The Metropolitan Museum, New York, 1953, pp. 326-330).

The quality of the 'portrait' head on our example suggests a royal workshop. The depiction of three horizontal bands is a forerunner of the rows of text from Chapter Six of the Book of the Dead which enveloped the whole shabti in the New Kingdom and later, the words of which gave life to the deceased image.

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