A FINE FRENCH ORMOLU-MOUNTED MAHOGANY, SATINE AND TULYA MARQUETRY AND PARQUETRY COMMODE À L'ANGLAISE
A FINE FRENCH ORMOLU-MOUNTED MAHOGANY, SATINE AND TULYA MARQUETRY AND PARQUETRY COMMODE À L'ANGLAISE
A FINE FRENCH ORMOLU-MOUNTED MAHOGANY, SATINE AND TULYA MARQUETRY AND PARQUETRY COMMODE À L'ANGLAISE
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PROPERTY FROM A PRIVATE WEST COAST COLLECTION (LOT 49)
A FINE FRENCH ORMOLU-MOUNTED MAHOGANY, BOIS SATINE AND TULYA MARQUETRY AND PARQUETRY COMMODE

BY FRANÇOIS LINKE, INDEX NUMBER 1605, PARIS, EARLY 20TH CENTURY

细节
A FINE FRENCH ORMOLU-MOUNTED MAHOGANY, BOIS SATINE AND TULYA MARQUETRY AND PARQUETRY COMMODE
BY FRANÇOIS LINKE, INDEX NUMBER 1605, PARIS, EARLY 20TH CENTURY
The shaped brèche marble top above a scrolling frieze cast with cockerel heads and sunflowers, centered with a mask and fitted with three drawers, over a cupboard door decorated with an avenue of trees against a sunburst, over a central ormolu flower-filled urn, the angles headed with acanthus clasps, drapery and tassels, flanked on each side with a pair of shelves set against lozenge parquetry, the lower right molding signed F. Linke, the lock-plates stamped CT LINKE/SERRURERIE/PARIS/1605
39 in. (99 cm.) high, 72 in. (182.9 cm.) wide, 23 ¼ in. (59 cm.) deep
来源
Sotheby's, London, 3 October 1997, lot 309.
With Marshall Galleries, Los Angeles, California.

荣誉呈献

Elizabeth Brauer
Elizabeth Brauer

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拍品专文

A virtuoso mélange of 18th century form and 19th century exuberance, this exquisite commode is among the most unique creations in the œuvre of the celebrated cabinetmaker, François Linke. Its unusually curvaceous silhouette, rich central panel of a landscape with a radiant sunburst and grotesque-form frieze mounts distinguish the cabinet from much of Linke’s work. The model was first made by cabinetmaker Georges-François Alix (1846-1906), who was known to have designed his own pieces of furniture which were celebrated for their precise construction and rich marquetry panels (D. Ledoux-Lebard, Le Mobilier français du XIXe Siècle, Paris, 1984, p. 25.) Alix also made bronzes for Linke, and bequeathed his bronze models to the famed École Boulle in Paris, suggesting that his œuvre continued to be referenced by his Parisian confreres after his death (D. Ledoux-Lebard, op. cit., p. 25).

In his study of Linke’s work, Christopher Payne illustrates a cliché – index number 1605 – of a nearly identical commode by the master, known as a Meuble Soleil, (C. Payne, François Linke: The Belle Époque of French Furniture, Woodbridge, 2003, p. 436.) Payne indicates that Linke purchased a completed version of this model from Alix, and went on to make at least four similar commodes himself (C. Payne, op. cit., p. 436). A pair of nearly identical commodes by Linke sold Sotheby’s, London, 2 October 1998, lot 280 (£125,000).

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