A SILK BROCADE TEXTILE
These lots have been imported from outside the EU … Read more
A SILK BROCADE TEXTILE

MOROCCO, 16TH OR 17TH CENTURY

Details
A SILK BROCADE TEXTILE
MOROCCO, 16TH OR 17TH CENTURY
Of rectangular form, woven in green, yellow, gold and black silk on a maroon silk structure, with vertical bands including a central maroon-ground prayer arch containing large rosettes, the arch flanked by geometric panels followed by green-ground prayer niches with hanging mosque lamps, the right hand side with two further decorative registers of rosettes and geometric interlocking design, backed on maroon cotton, areas frayed
54½ x 58in. (138.4 x 147.4cm.)
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Brought to you by

Andrew Butler-Wheelhouse
Andrew Butler-Wheelhouse

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

This textile relates closely to an example in the Nasser D. Khalili Collection, which is decorated with a similar band of geometric panels and niches and is dated to the 16th or 17th century. Although it is attributed to Morocco, the author mentions that it can be related in design, colour and technique to earlier Spanish examples. The earliest Hispano-Moresque silk textiles were woven in Spain between the first half of the 13th century and until the 15th century, and subsequently in Morocco – possibly in workshops that moved to North Africa following the expulsion of the Jewish and Muslim communities from Spain. There are no known Spanish examples with the multiple niche, or saf, design although there are at least eight Moroccan ones that survive (J.M. Rogers, Empire of the Sultans. Ottoman art from the collection of Nasser D. Khalili, Geneva, 1995, no.142, pp.208-09).

More from Art of the Islamic and Indian Worlds

View All
View All